Word: ils
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Dates: during 1960-1969
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...YORK CITY-One does not normally associate humor with Eugene O'Neill. Yet he was fully capable of it, as evidenced byAh, Wilderness! and the lesser-known Marco Millions(often incorrectly calledMarco's Millions,whereas O'Neill was consciously adapting Polo's Italian nickname, "Marco il Milione...
...struggle for power began in December 1962, when Marketeer Domenico Italiano, 65, known as Il Papa, died peacefully in bed. One strong contender for the job of Mr. Big was eliminated four months later when Vincenzo Angilletta was ambushed outside his home and blasted to death by both barrels of a shotgun. Last November, Domenico Demarie, 41, got the same treatment, but he survived as a sick and frightened man who swears he has no idea who attacked him or why. Fortnight ago, Vincent Muratore, 43, rose before dawn to go to his wholesale produce stall at the market...
Dapper Throngs. Melbourne's Italian-language newspaper Il Globo accused Victoria Market racketeers of all the shootings and prophesied that "the next victims will be at Muratore's funeral." At St. Mary's Roman Catholic Church, Muratore's body, clad in a Capuchin's robes, lay in a $1,575 casket with silver fittings, surrounded by floral offerings. Throngs of dapper Italians wearing black ties, dark tight-fitting suits with tapered trousers, and black pointed shoes escorted their wives in deep mourning. In a building opposite, Melbourne police focused binoculars and telephoto cameras...
Subhuman Treatment. Concierges have had a few defenders. Frédéric-Dupont, a former independent Deputy for Paris, argued so eloquently for a bill freeing concierges from the cordon that when he rose to speak other Deputies would shout the traditional cry: "Cordon, s'il vous plaít!" His bill was passed in 1957, and most doors are now opened by an electrical release in the tenant's own apartment...
...GINE CRESPIN (Angel). Soprano Crespin has the distinction of being both the finest operatic voice of France and one of opera's leading Wagnerians. Here she sings arias from Tannhüiuser together with Verdi's Otello and Il Trovatore, Rossini's William Tell and Berlioz' Damnation of Faust, and seems equally at home in all four styles and all three languages...