Word: ils
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Dates: during 1960-1969
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...this colorful collection the Italians have lately added a less likely hero: the industrialist. He has earned national popularity because he and his kind are transforming Italy. The industrialists have produced an economic expansion that Italians call Il Miracolo or, simply, Il Boom, which has laced the countryside with crowded autostrade and studded the cities and villages with TV antennas. More fundamentally, Il Boom is converting Italy from a peasant society that served an elite into a consumer society that caters to the mass of the country's 54 million people...
...Il Boom itself is a target of protest, both because it is there and because there is not more of it. Italian Novelist Alberto Moravia echoes U.S. Economist John Kenneth Galbraith when he complains about the affluent society: "The priority given here to goods compared with that given to social and cultural needs shows the degree of our corruption. Italian industry thinks only of the expansion of consumption. And it is not with culture, but with money, that one buys." Many of the critics, particularly the protesting student extremists, take their prosperity for granted and never knew the general privation...
Although the law firm's alleged connections with the South African regime caused the demonstration, radical students are critical of the entire recruiting program. Robyn Cooper, IL, treasurer of the Student Bar Association and an active member of the radical group, complained about the program stating that "the recruiters never respond to your questions, never tell you anything about the firm's policies...
...mistakenly gave Il Bandito of MAIRAIRMED [Nov. 22] the name of Richard instead of Edward, which may disturb all the junior officers who have called him "Eddy Shoutlaw" for years behind his back...
...famous dedication of The Waste Land is "For Ezra Pound, il miglior fabbro," which even nonscholars of Italian can figure out to mean "the better craftsman." In this context, "craftsman" means "editor." It is well known that Eliot's great friend Poet Ezra Pound had been a severe editor who cajoled, bullied or advised Eliot to cut out half of what Pound described, with characteristically inaccurate flamboyance, "the longest poem in the English langwidge" (434 lines in the final version). A facsimile edition of Eliot's first draft, riddled with Pound's penciled comments, will be published...