Word: ima
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Dates: during 1950-1959
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...Arts' 1957 convention, and Dallas, San Antonio and Fort Worth standing by to receive the convention's airlift tour, the four cities' museums, galleries, private homes and department stores have turned themselves into showcases for art, displaying everything from such private collections as Social Leader Ima Hogg's Colonial Americans to a sampling of just about every living Texas painter and sculptor. But the standout exhibit is the handsome tribute, co-sponsored by Houston's Museum of Fine Arts and Manhattan's Guggenheim Museum, to France's three Du-champ brothers, whose talent...
December Huff. Ima Hogg is one of the orchestra's founders (1913) and president of the board. Her rule has been benevolent. Says she: "I've dreamed of enriching the lives of everybody through music." When she became president in 1946, the orchestra's budget was $300,000. She imported Conductor Efrem Kurtz (at about $30,000 a year), added $100,000 to the budget and expanded performances. By last spring, the orchestra ranked among the first dozen...
...built Berlin's RIAS Orchestra into a first-rate ensemble, talked of grandiose plans for the future of the Houston Symphony, e.g., to up the budget to $700,000 in five years and tour Europe and the U.S. These ideas sounded too ambitious even for Miss Ima's board. Fricsay left Houston in a huff last December, and last week, touring Switzerland on midwinter vacation, he cabled that his rheumatic arm would prevent his return for the scheduled spring season...
Esthetic Dustbin. None of her symphonic sisters across the country would have panicked in such a fix, and Miss Ima rose to the occasion. After some quick transatlantic negotiation last week, she announced a major coup: to take over for Fricsay during the spring season. Miss Ima landed one of the world's most famous conductors. His name: Sir Thomas Beecham. Said Miss Ima: "He was very gracious. We feel elated...
Choleric Sir Thomas has appeared in Houston once before, in 1949, and took far more kindly to it than to some other U.S. cities-for instance, Seattle, which he called "the esthetic dustbin of the world." Moreover, he understands Miss Ima's kind of dominion. Says he cheerfully: "Music is a parasitical luxury, supported by the few. It is something that must be inflicted on the public...