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...Shohei Imamura, director of "The Ballad of Narayama" and other award-winning films, arrived at Harvard on Tuesday for a 15-day visit under the auspices of the film institute, in cooperation with the Japan Foundation of New York and Harvard's Reischauer Institute of Japanese studies...

Author: By Ross G. Forman, | Title: Harvard Hosts Filmmaker As Imamura Festival Begins | 11/6/1987 | See Source »

...Imamura screened his 1987 film, "Zegen" last night, and it will be shown again tonight and Saturday. The film depicts the life of a Japanese man who sells prostitutes to brothels in Southeast Asia. It stars Ken Ogata, the key actor in several Imamura films. "Zegen" deals with the issues of patriotism, imperialism and particularly feminism, said Vladimir K. Petric, director of the Harvard Film Archives...

Author: By Ross G. Forman, | Title: Harvard Hosts Filmmaker As Imamura Festival Begins | 11/6/1987 | See Source »

Considered one of Japan's best filmmakers, Imamura is chiefly known for "The Ballad of Narayama," which won the Palme d'Or award in 1983 and has since become a classic of contemporary cinema. The visit is intended to give scholars and film buffs a chance to become acquainted with both the films and their maker, said Petric...

Author: By Ross G. Forman, | Title: Harvard Hosts Filmmaker As Imamura Festival Begins | 11/6/1987 | See Source »

Speaking through an interpreter, Imamura saidhe decided to come to Harvard on short notice lastspring after several years of a "surprisingacquaintance" with the Harvard Film Archives,which has sent students to study at his filmschool in Tokyo for the past two years. And since"there was no reciprocal exchange, the principalarrived in person," Imamura added...

Author: By Ross G. Forman, | Title: Harvard Hosts Filmmaker As Imamura Festival Begins | 11/6/1987 | See Source »

...West, Japan is now that more familiar quantity, a friend and competitor. And yet the most ambitious of current Japanese films continue to plumb the nation's unique otherness: the traditions of rigorous personal discipline, honor and revenge. As Imamura, the international prizewinner, notes, "I refused to accompany Narayama to Cannes this year, because I thought the film would be misunderstood there. When the people at Toei approached me about submitting it to the festival, I told them to wait 50 years or so. By then we will be understood. And we'll be winning the prize every...

Author: /time Magazine | Title: Cinema: Stirrings amid Stagnation | 8/1/1983 | See Source »

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