Word: imbruglia
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Dates: during 1990-1999
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...bring along BT's "Believer," a song which puts the "rave" back in "techno." And of course, no hip soundtrack is allowed on the shelves without a fresh new number from Fatboy Slim, in this case not-even-the-best-on-his-album "Gangster Tripping." Other highlights include Natalie Imbruglia's somber "Troubled by the Way We Came Together" and Goldo's "To All the Lovely Ladies." The Go soundtrack don't impress me much, but is nonetheless fun stuff. Like the movie, it's an exhilirating, even if non-commital, ride through music genres...
...bring along BT's "Believer," a song which puts the "rave" back in "techno." And of course, no hip soundtrack is allowed on the shelves without a fresh new number from Fatboy Slim, in this case not-even-the-best-on-his-album "Gangster Tripping." Other highlights include Natalie Imbruglia's somber "Troubled by the Way We Came Together" and Goldo's "To All the Lovely Ladies." The Go soundtrack don't impress me much, but is nonetheless fun stuff. Like the movie, it's an exhilarating, even if non-committal, ride through music genres...
...high-ground; I'm just surprised--shocked even--that the editor of a magazine that ran articles like "This Cat Has Nine Wives" and "How Gangs and Sororities are the Same" is now the force behind articles on professional groupie Pamela Des Barres and damaged-but-still-insufferable Natalie Imbruglia. And there's a whole new generation of 14-year-olds who hate high school and probably Imbruglia and long for something real to hang on to in the meantime...
...Dixie Chicks: They might rival the Backstreet Boys for sheer hottiness, but this ain't no Country Music Awards. Lauryn Hill: Aren't we all a little tired of this kind of revolutionary blending of rap, hip-hop and R&B? Give me that sweet Backstreet bubblegum anytime. Natalie Imbruglia: Maybe if she put on a little makeup, she'd be cute enough to be a serious contender. And that last name...
...sizable wake of Odelay, electronic bleeps and samples became downright universal in pre-millennial pop music, from groove laden trip-hop to the latest Natalie Imbruglia pop confection. What could Beck do to follow up his inspired, trendsetting hodgepodge? Judging from his modest Mutations, he slacked off, mellowed out and indulged himself rather than delivering another jolt of noise for the twenty-first century. The album is awfully pleasant, even affecting, with the rich twang of slideguitars, the whine of a harmonica and theoccasional exotic instrument imported to shakethings up a little. Beck is nearly as playful asever...