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...that was evolving out on the playing field in Baltimore last Sunday. Though their team had just been clobbered in a do-or-die season finale, 50,000-plus Oriole fans were on their feet. As thunderous cheers slowly filled the cavernous confines of Memorial Stadium, a tiny, rumpled imp of a man emerged from one of the dugouts to take a bow. His tried face beat back tears--the visible signs of an emotion the fans had never really seen in him before...

Author: By Michael J. Abramowitz, | Title: The Earl of Baltimore | 10/6/1982 | See Source »

...something has changed. This puckish little figure, this professorial imp with the loony grin, does not sound angry. He is not wailing about the wickedness of his time. He is mocking the past-mocking the angry radicals, mocking the dreamers, mocking the quest for visions. The audience is laughing with him. They are howling, but in pleasure rather than anger, as he thrusts an arm up for each of the jokes. They hear satire, not nobly expended pain, in these lines: ". . . who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of Atlantic City Hall...

Author: /time Magazine | Title: In New York: Howl Becomes a Hoot | 12/7/1981 | See Source »

...shine. Inside Tarleton's paunchy "ridiculous old shopkeeper," Bosco releases an intrepid explorer of the intellect. Elliott's "Polish lady" is a feminine blowtorch, and Heald's Gunner is infallibly on key, whether arrogant, cringing or crying drunk. As ever, the superstar is G.B.S., that Irish imp of genius...

Author: /time Magazine | Title: Theater: Imp of Paradox | 8/3/1981 | See Source »

...Early Days, Richardson plays Sir Richard Kitchen, a cantankerous imp bobbing and weaving his way through errant mists of memory. From moment to moment, Storey's play is both allusive and elusive - rather like hearing a few bars of music that suddenly break off and then later recur with a disconcertingly poignant resonance. Or like observing an ancient marble statue where the missing arm, leg or head must be pieced together by the viewer's imagination...

Author: /time Magazine | Title: Theater: Caustic Imp | 6/8/1981 | See Source »

...personal fear and his ire at God when Mozart, "the obscene boy," appears with the music of heaven, sublimely, effortlessly at his fingertips. And what a Mozart! Impudent, abrasively egocentric, silly in behavior, foul of mouth, a wine-bibbing libertine. Tim Curry's Mozart is unforgettable, an imp of the perverse, a strangely vulnerable Pan on a goatish night...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

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