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Word: imp (lookup in dictionary) (lookup stats)
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...zips through the centuries in his Time Machine and escapes the clutches of the dreaded Morlocks in a getaway that puts the Miss Saigon helicopter to shame. And at the end another magician, the EFX! Master, sits atop a crystalline globe held in a huge hand. He's an imp who works miracles...

Author: /time Magazine | Title: VIVA LAS VEGAS! | 4/24/1995 | See Source »

Rocio (Maribel Verdu) is a coquettish imp who wastes no time in dragging Fernando into bed. Violeta (Ariadna Gil) is a lesbian who wears her hair short and likes tailored clothing. She has what is arguably the best scene in the film. During a carnival masquerade in the town, Violeta dresses in Fernando's uniform and the sisters dress Fernando as a French maid. Violeta leads Fernando in a lascivious, passionate, hilarious tango, much better than Al Pacino's in "Scent of a Woman." She then takes Fernando to a barn and h as her way with...

Author: By Joel VILLASENOR Ruiz, | Title: Timeless Belle Epoque | 4/21/1994 | See Source »

That collegiate imp of the perverse, that smirking, deceitful trickster the Prank has emerged numerous times in the past year. Apparently, Harvard has caught prank fever, and no one is eating their chicken soup...

Author: By John Aboud, | Title: All These Pranksters Just Aren't Funny! | 2/2/1994 | See Source »

...hypnotized by their own dangerous, barely understood impulses. A writer hires Iris to describe the possessions of a girl he thinks he may have murdered. In a later story, Iris dons men's clothing and spends months prowling downtown Manhattan at night, as though drawn onward by the Imp of the Perverse. Relationships, like everything else in Hustvedt's world, are lively, unpredictable, full of mysterious emotion: the dark side of everyday life...

Author: /time Magazine | Title: Short Takes: Aug. 31, 1992 | 8/31/1992 | See Source »

...missing is a creative re-evaluation of our understanding of the composer himself. The immensely popular Milos Forman film Amadeus effectively destroyed the image it set out to falsify: the delicate porcelain infant seated at a porcelain keyboard. But as the child prodigy gives way to the giggling imp, the relationship between the reprehensible or at least unremarkable man and his great music becomes paradoxical. And, ironically, the popular conception of Mozart has been shaped by a film in which the composer is a supporting actor...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

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