Word: impish
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Dates: during 1990-1999
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There was always the whiff of the charlatan about John Cage. The puckish composer, audacious theoretician, stylish writer, subtle graphic artist, macrobiotic guru and fearless mushroom hunter was the impish personification of the 20th century avant-garde. Arch, soft-spoken and witty, Cage was passionately adored by his acolytes right up to his death at age 79 in 1992, and continues to be regarded by some as a kind of contemporary Beethoven, his influence ranging as far afield as Germany and Japan (where he is a demigod). And yet: Was there ever a composer of whom it can be said...
...title tune on Devil's Got Your Tongue: Lincoln accuses them of lewdly denigrating black culture to make a buck ("Tell a dirty story,/ of a lowly jerk,/ Even though the joke's on us, it's supposed to work"). Though her words can verge on sanctimony, Lincoln's impish delivery saves her from preachiness...
...premier singer-songwriter. Her plaints, like I Will Always Love You (a recent chart tyrant for Whitney Houston), expand the reach of country music to both coasts and most places in between. But Parton is her own best interpreter. Country guitar picker Chet Atkins gives her this impish praise: "She has more talent than I've got in my little finger...
...number of other individual performances stand out in this overwhelming entourage of fishers, matadors, nobility, courtesans and pixies. Jennifer Gelfand (who, incidentally, plays Kitri in several performances) shines as both Kitri's spirited friend and as the impish twinkling Amour in the dream sequence. Vadim Strukov plays the ridiculous Gamache with just enough clownishness to add some comic relief to the otherwise melodramatic plot. And Adriana Suarez bewitches Barcelona townspeople and audience members alike with her Flamenco elegance as the sultry Street Dancer...
...rock and pop. But together they stretched the boundaries of dance. Tharp was one of many choreographers who were trying to harness their talents to the Russian's genius, and mostly these efforts flopped. But her Push Comes to Shove (1976) showed a different, up-to-the- minute Baryshnikov -- impish, racy and reckless -- and a new idiom for classical ballet...