Word: impishness
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...Opera works well enough on its own, which actually might in the end be healthier than forcing a particular production vision beyond its natural limits. Marjorie Owens’s stately, poised Ariadne provides a well-measured foil to Gilmore’s sprightly, impish Zerbinetta. The opera is, in effect, a showcase for the two very different types of sopranos—dramatic and coloratura—and each takes full advantage of the opportunity to have fun. Owens’s sturdy, firmly rooted rendition of the aria “Es gibt ein Reich?...
...interrogations continued but the conditions of his confinement relaxed. Zaeef came to accept his captivity as a test from God. He memorized the Koran and brushed up on his English, which he now uses skillfully. He describes the Pakistanis, whom he says sold him to the Americans, as "impish." (See pictures of the U.S. Marines' July 2009 offensive in Helmand province...
...Hollywood Foreign Press Association rounding up all the usual suspects, plus famous folks not up for anything - Mel Gibson, Robert De Niro, Leonardo DiCaprio and Governor Arnold Schwarzenegger to name but a few - to lend their allure to the 67th Golden Globe Awards. British comedian Ricky Gervais was the impish, entertaining host...
...Administration despite being, respectively, a fierce political opponent of the President's and a Republican. Upon arrival, Clinton showed passionate intent to reform long-neglected foreign aid programs, a non-headline-grabbing crusade that is essential to the military's counterinsurgency strategy; Gates took on wasteful weapons systems with impish glee and thereby placed emphasis where it always should be - on the troops...
...when shooting for the film began, deserves special praise for his expressive portrayal of Max, convincingly presenting him as both obnoxious brat and benevolent dictator. Max emerges as a much more nuanced and developed character in the film than his literary counterpart. He is less impish and more thoughtful, and he experiences a more profound realization at the movie’s end. The creation and destruction of the home is a recurring motif. Max is seen building forts, igloos, and king’s quarters, but none of these endure or give him the safety he seeks. Likewise...