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...more visceral than that. "We feel better," the architecture critic and preservationist Brendan Gill has written, "when we find ourselves in the presence of the past, with its evidence of the mingled aspirations and disappointments of our ancestors." Walking along an old street among old buildings, the implicit history and sense of continuity are both reassuring and invigorating. The graceful proportions of facades are not arbitrary but the result of craft wisdom worked out over generations of trial and error. The scale of buildings and streets, based on human size and pedestrian stride, makes intuitive sense. Indeed, old sections...

Author: /time Magazine | Title: Design: Spiffing Up The Urban Heritage | 11/23/1987 | See Source »

That was the theme, implicit or explicit, of comments around the world last week. Foreign government and financial leaders have an all-important stake in U.S. economic policy. The worldwide market crack is already hurting their economies; for example, it has delayed European programs to privatize industry by selling chunks of government-owned companies to individual investors. An American recession, should that be the result of a continued stock slump, could quickly travel abroad...

Author: /time Magazine | Title: The Crash: Panic Grips The Globe | 11/2/1987 | See Source »

...implicit message to the student is that iresponsibility and immaturity can go virtually unpunished as far as Harvard is concerned. First, it is ludicrous to think that after the attack on the building and the threatening phone call, the individual victim would find an additional phone call a "light-hearted joke." Such poor judgement is not, as the Ad Board requires, like those "personal characteristics" which warrant the suspension of the original punishment. Secondly, the time between the punishment and the recent decision has not allowed sufficient time for Williams to effectively respond to the probation...

Author: NO WRITER ATTRIBUTED | Title: 'A Dangerous Invitation' | 10/13/1987 | See Source »

...there is a need for broader and more discriminating knowledge of American 18th and 19th century art, but the present danger is overvaluation: the assumption, dear to cultural jingoes, that premodernist American painting and sculpture is a special case whose merits cannot be judged fairly by the general standards implicit in European...

Author: /time Magazine | Title: Art: How To Start a Museum | 8/10/1987 | See Source »

Thus, it is unbelievable that the University could ever lend PBH a bus that was about to burst into flames. When you lend someone your car, it is implicit that when they try to drive it, it will not blow up. But the real stomach-turner hits when one takes a look at how Harvard has handled the PBH affair...

Author: By Jeffrey S. Nordhaus, | Title: Harvard, Have You Forgotten About PBH? | 8/7/1987 | See Source »

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