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...high point in Britain's long diplomatic history. The press has been crying for Lloyd's resignation, and within the Tory Party itself, there is considerable malicious glee at the report that Sir Winston Churchill refers to Selwyn Lloyd as "Mr. Celluloid." Last week, in implicit answer to all criticisms, Macmillan publicly described Lloyd as "a loyal and sagacious colleague" with "a stout heart and a cool head," but carefully refrained from committing himself to keeping Lloyd in the Cabinet for any specified length of time. "In politics, as in rowing a boat," noted the London Economist...

Author: /time Magazine | Title: GREAT BRITAIN: When a Cecil Quits | 6/3/1957 | See Source »

Liquor trade journals hailed Distillers Corp.-Seagrams as a trail blazer for its ads claiming that "Clear Heads Call for Calvert Taste." Its Calvert subsidiary ran the ads despite the Government's disapproval-based on the ad's implicit promise of freedom from hangover. But it later changed the wording to "Clear Heads Agree: Calvert Tastes Better" after a threat of formal charges. While Seagrams nervously denies that it is trying to make a test case for the industry, Vice President

Author: /time Magazine | Title: ADVERTISING: For Health & Happiness | 5/27/1957 | See Source »

...Another equally important dimension to the Brownell operation is implicit in the comment of Assistant Attorney General Perry Morton: "I think we've got a real law office here." Obscured by Brownell's political reputation was the fact that he is a crackerjack lawyer. He led his Yale Law School class, edited the Law Journal, won an Order of the Coif (he was Phi Beta Kappa from his home-state University of Nebraska), and is still considered by two former deans to rank among the finest students in Yale history. In private practice he was a partner...

Author: /time Magazine | Title: JUSTICE: Back-Room Man Out Front | 5/13/1957 | See Source »

...protective than any drapery; whereas the shape of the Gothic body, which suggested that it was normally clothed, gave it the impropriety of a secret." Ergo, a rebirth of interest in the human form as a subject of art in the Renaissance, although with a different view of man implicit in every muscle, for the Renaissance--especially the Michelangelo--nude was burdened with a soul...

Author: By Gerald E. Bunker, | Title: Clark's Analysis of Nude Balances Real and Ideal | 5/10/1957 | See Source »

...primitively covered with a boxlike drape. But the head, feet and hands are done with expressive realism, the head forceful, the chin raised with authority and grandeur, the hands held out in eloquent plea and promise, the feet slightly dragging as if in pain, a reminder of the tragedy implicit in the dramatic origins of Christianity...

Author: /time Magazine | Title: Art: OF HOPE & PEACE | 4/22/1957 | See Source »

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