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Spread Eagle. A wave of melodrama has swept Manhattan this year. On the crest of it, Jed Harris, youthful impresario, rides to glory. Recently a reporter on the theatrical weekly, Variety, he took to producing comedies with scant success, turned later to melodrama, offered Broadway, now lolls in plush. His second venture this season, Spread Eagle, another melodrama, cannot fail to make the audience wilt with excitement, the box office swell with receipts...

Author: /time Magazine | Title: Theatre: New Plays: Apr. 18, 1927 | 4/18/1927 | See Source »

...York Symphony Orchestra, and Producing Director Vladimir Rosing, these students have been permitted to appear as full-fledged professionals before a Manhattan public that included in its audience famed Impresario Gatti-Casazza of the Metropolitan Opera...

Author: /time Magazine | Title: Music: Rochester Opera | 4/18/1927 | See Source »

...brilliant gathering of the, year, had assembled to hear the first U. S. opera commissioned by Gatti-Casazza, The King's Henchman. A half-hour before the tall yellow curtains parted, the standees were under full pressure. Many of these people were skeptical. They said: "Gatti is a shrewd impresario. He will tickle U. S. vanity by presenting native opera, if they insist upon it. This is the twelfth such production. None of its predecessors amounted to much." Before long they changed their minds...

Author: /time Magazine | Title: Eadgar, Aethelwold, Aelfrida | 2/28/1927 | See Source »

Another customer would chatter away in Italian, confide an impresario's worries over people of temperament?and Carlo can still have a seat at the Metropolitan whenever he wants one?compliments of Signer Gatti-Casazza...

Author: /time Magazine | Title: Count | 1/31/1927 | See Source »

Mozart. Where many another impresario has failed, Producer A. H. Woods has succeeded in luring the famed Guitrys (Sacha Guitry, French actor-playwright, Yvonne Printemps, his actress-wife) to the U. S. They presented M. Guitry's Mozart, the same dresden-china play of virginal genius in which Irene Bordoni appeared earlier this season (TIME, Dec. 6). Though Yvonne Printemps' radiant personality breathes life into the titular role (which was created especially for her), the play still seems fragile to the point of brittleness. The Guitrys were cordially received but the handicap of dialogue in foreign language militates...

Author: /time Magazine | Title: Theatre: New Plays: Jan. 10, 1927 | 1/10/1927 | See Source »

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