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SHOW BUSINESS: The Impresario...

Author: /time Magazine | Title: Time Magazine Contents Page | 5/4/1992 | See Source »

...IMPRESARIO CAMERON MACKINTOSH made his millions (150 or so of them, in dollar terms) producing musicals of high tech, high technique and high seriousness -- Miss Saigon, Les Miserables, The Phantom of the Opera and Cats. He was just out for a night on the town with friends in Britain when he saw a jumping, jiving cabaret revue. It could not have been further from Mackintosh's customary taste. He favors life-and-death storytelling; Five Guys Named Moe is a wisp of a tale about a drunken lowlife cleaning up his act and winning back his lady love with...

Author: /time Magazine | Title: Folksy Funk | 4/20/1992 | See Source »

...Mancha (1965) and Guys and Dolls (1950), and a belated transfer of the off-Broadway hits March of the Falsettos (1981) and Falsettoland (1990), now paired in a single evening. In addition are three "new" musicals recycling songs by black composers: Five Guys Named Moe, produced by London impresario Cameron Mackintosh but mounted by Americans around the work of Louis Jordan; Jelly's Last Jam, featuring Jelly Roll Morton music and tap dancers Gregory Hines and Savion Glover; and The High Rollers Social and Pleasure Club, a review starring New Orleans songwriter Allen Toussaint...

Author: /time Magazine | Title: Tap Dancing into Yesterday | 3/2/1992 | See Source »

...offers and speaking requests are pouring in for MIKHAIL GORBACHEV. One of the more unlikely gigs was suggested by a Nevada impresario who wants to pay Gorbachev $1 million a year to play casino host and superflack. But House Speaker Tom Foley plans to make Gorby an offer -- and honor -- he probably can't refuse: an invitation to address a joint session of Congress. Foley's office expects to send out the all-expenses-paid bid in the next week...

Author: /time Magazine | Title: Gorby Has Other Irons in the Fire | 1/20/1992 | See Source »

...head with a .38-cal. pistol, and it was an age that many people who know Turner did not expect him to reach. While most Americans think of Turner as the loud cheerleader of the Braves, the corporate Don Quixote who went after CBS or the peace-loving impresario of the Goodwill Games, those close to him have always known Turner was haunted by a self-imposed deadline. "Ted felt that his father had died tragically and it was his duty to die tragically," says Dee Woods, his assistant of 16 years. Says James Roddey, a former Turner Broadcasting executive...

Author: /time Magazine | Title: The Taming of Ted Turner | 1/6/1992 | See Source »

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