Word: impresario
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...then mistakenly trained as a contralto, she lost her voice and had to begin over again. After her wartime success in Germany, she did not appear on the stage until the blanket denazifications of 1946. About the same time, she was signed to a recording contract by Record Impresario Walter Legge, whom she later married. Now she is virtually alone among big-time singers in trying to divide her time equally between opera, oratorio and lieder, a happy balance, she thinks, "vocally, stylistically and emotionally...
...Stamford, Conn., the son of a German Jewish immigrant who ran a thriving butter and eggs business. Later, the family moved to Brooklyn, and Swifty took his LL.B at Brooklyn Law School. Sophie Tucker was one of his early legal clients, and he got into agenting when a nightclub impresario mentioned that he needed a Hawaiian musician. Swifty remembered one but could not recall the fellow's name. "I can get you Johnny Pineapple," he said recklessly. Then he tracked the Hawaiian down, told him his new name was Johnny Pineapple and booked him into the impresario...
...office at 7:30 a.m., President Kennedy's personal representative in Berlin, retired Army General Lucius Clay, got away from it all at the German premiere of My Fair Lady, where he seized the opportunity for an intermission tete-a-tete with velvet-clad Ingrid Bergman, whose impresario husband, Lars Schmidt, was the show's producer. Topic of discussion between Ingrid (whose gown Mrs. Clay described as "a Grecian toga cut") and Clay: "only the show," which left German critics digging for superlatives last lavished on the works of Goethe...
...pleasant voice, was the soloist in a secular cantata, Non sa che sia Dolore, attributed (maliciously) to J. S. Bach; the Orchestra's strings played Purcell's Fantasia on One Note with as much life as a bagpipe; and everybody fretted over the overture to Mozart's Impresario like gummed velvet...
Though the company is new to the U.S., American audiences have long been familiar with its graduates. In pre-Bolshevik days, the Kirov was St. Petersburg's Maryinsky company, fountainhead of Western ballet. In graceful profusion, it produced the dancers Nijinsky and Pavlova, the choreographer Fokine, the impresario Diaghilev. Its demanding, perfectionist teachers seeded the world's great troupes with their students: Galina Ulanova went on from St. Petersburg to her triumphs with Moscow's Bolshoi, and Choreographer George Balanchine used his Maryinsky training to reshape the entire U.S. ballet scene...