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Able Chicago Impresario Lawrence V. Kelly, who undertook the staggering job of installing an opera company deep in the heart of Texas, had managed to snag Maria Callas to kick off his new Dallas Civic Opera Company with a grand inaugural concert. But earlier in the season the diva dived off the deep end and failed to appear with the San Francisco Opera Company, pleading ill-health (TIME, Sept. 30). Rumors said that her voice had cracked. Some people in Dallas thought she could not sing, others that she would not. Texans by the droves failed to buy tickets...

Author: /time Magazine | Title: Music: Callas in Dallas | 12/2/1957 | See Source »

...ears. Behind her was a black-bordered set with a sky-blue backdrop, creating the effect of an immense shadow box. Callas had committed herself to a murderously difficult concert of eight operatic arias. All week she had kept trying to cut the number down to three, but Impresario Kelly held firm, and eight it was. She opened with a Mozart aria from The Abduction from the Seraglio, which she did in harsh, mediocre style. With two arias from Bellini's I Puritani, Callas hit her stride, rippling down her famed arpeggios, her tone pure and vibrant...

Author: /time Magazine | Title: Music: Callas in Dallas | 12/2/1957 | See Source »

...chorus that had a lot of trouble learning to sing in Italian-the production turned out to be topnotch, with bright sets, smooth and funny staging. The cast, mostly imported and mostly unknown in the U.S. (except for brilliant Mezzo-Soprano Giulietta Simionato). had been so ably picked by Impresario Kelly that the total effect surpassed the Met's memorable Don Pasquale, something of a standard for opera buffa. Said one opera veteran: "As of today, Dallas is on the map as an opera town along with New York, San Francisco and Chicago...

Author: /time Magazine | Title: Music: Callas in Dallas | 12/2/1957 | See Source »

Sentiment & Flair. Much of the credit for San Francisco's success goes to Vienna-born General Director Kurt Herbert Adler, 52, who took over the company three years ago, after the death of Impresario Gaetano Merola. A sentimental Neapolitan, Merola had built up the company and fenced it in with a traditional repertory. But Adler inherited not only a flourishing company but a sophisticated audience ready for new and different opera...

Author: /time Magazine | Title: Music: San Francisco Smash | 10/28/1957 | See Source »

...hour-long trailer for Disneyland, the Mickey Mouse Club, and other Disney holdings including Zorro, a new film series full of the strangulated clichés of derring-do, and a six-part series called The Saga of Andy Burnett, featuring the standard heroes-errant of the frontier. Cartoon Impresario Disney was trundled about from one plug to another by his Mousketeers, who wound up the big sales convention with a tasteless routine on top of a giant birthday cake, plugging a movie called Rainbow Road to Oz. Peter Pan Peanut Butter interrupted a fetching cartoon depiction of Prokofiev...

Author: /time Magazine | Title: Television: Review | 9/23/1957 | See Source »

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