Word: impresarios
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...Impresario Hurok, whose eyes are seldom shut, has a more-than-esthetic interest in Miss Munsel. Eight years ago, listening at his radio one afternoon to the Met Auditions of the Air, he heard 17-year-old Patrice singing coloratura arpeggios in a voice as full of rills as a country brook, and lustily topping off high Fs. It was not the greatest voice he had ever heard, but coloraturas were scarce, particularly with Lily Pons, the Met's coloratura queen, making herself scarcer on wartime tours. Hurok went to see Patrice, and liked what he saw-a confident...
...Young to Kiss (MGM) starts inauspiciously by presenting Van Johnson as the stereotype of a famed concert impresario who reigns, suave and multilingual, over plush offices swarming with international artistes. But this bobby-soxer's S. Hurok quickly becomes the butt of a pleasant little comedy by the scripting team (Frances Goodrich & Albert Hackett) of Father of the Bride...
Unable to get a hearing from the impresario, Pianist June Allyson schemes to catch his ear by crashing a children's audition as a 13-year-old, baring her dental braces in a demure smile. Johnson rises to the bait, rushes to her apartment the next morning with a fat contract guaranteeing a Manhattan debut. Posing as her own big sister, June tries to talk him into signing her up instead, but he scorns her as a selfish chiseler. At Johnson's insistence, 13-year-old June goes into training-teeth braces andall-at his country home...
Handsome young (30) Basso Rossi had appeared from nowhere, so far as most San Franciscans were concerned. But it was neither his U.S. debut nor his first U.S. critical rave. He was one of 25 unhappy European singers who were stranded in Chicago four seasons ago when their impresario went broke (TIME, Feb. 10, 1947). The Chicago Tribune's captious Claudia Cassidy got him to sing a few bars of Lamentation of a Siberian Prisoner to her over the telephone. She compared him to Chaliapin and Pinza...
...rule of trade at RCA Victor and Columbia that the U.S. record-buying public wants more full-length grand opera. Three years ago, a 36-year-old New Yorker named Dario Soria bet a small bankroll on the same proposition-and is now the No. 1 impresario of recorded opera...