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Died. Valentine Charles Parnell, 78, "Britain's No. 1 Showman" and longtime impresario of the London Palladium; in London. The son of a vaudeville ventriloquist, Parnell rose from office boy in a theatrical booking agency to become director of 400 theaters and music halls. To the Palladium he brought modern microphones and high-priced U.S. stars, both new to music-hall audiences, and soon turned the old moviehouse into one of the world's eminent stages...

Author: /time Magazine | Title: Milestones, Oct. 9, 1972 | 10/9/1972 | See Source »

Utah, from Corvallis, Ore., to Washington, D.C. Prior to its visit to the U.S., the Royal Philharmonic will have presented four gala TIME-LIFE concerts at Festival Hall in London. Rudolf Kempe is the conductor, assisted by Lawrence Foster. The tour is under the management of Impresario Kazuko Hillyer...

Author: /time Magazine | Title: An Anniversary Letter: An Anniversary Letter, Oct. 2, 1972 | 10/2/1972 | See Source »

...Bach sonatas with harpsichord accompaniment. Some Mozart and some more Bach, this time grumbled out on a pipe organ. Such a program has always had its place in concert life, if only as a vaguely ennobling form of musical anesthesia. But if anyone had suggested it to an impresario, he would have been shown, with gentle pity, to the street...

Author: /time Magazine | Title: Music: Hip Harpsichordist | 8/28/1972 | See Source »

...film The Producers, he played a zany impresario dedicated to staging a Broadway musical called Springtime for Hitler, a rococo recounting of the good old days in the Thousand Year Reich. Against all expectations, Mostel's musical was a smash -which turns out to have been prophetic. In the entertainment world nowadays, Hitler's springtime does indeed seem to have arrived...

Author: /time Magazine | Title: Show Business: Springtime for Hitler | 8/28/1972 | See Source »

Then Downey met Manhattan-based Cyma Rubin, the wife of the former owner of Faberge and the fledgling impresario who produced Broadway's No, No, Nanette. She staked him close to $1,000,000 and let him have his head on Greaser's Palace. When the film opened in Manhattan, it was generally lambasted. A couple of critics even suggested that Downey had been borne away by his budget, that his movies were better when their director was a waiter...

Author: /time Magazine | Title: Cinema: Unholy Trinity | 8/21/1972 | See Source »

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