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Reliving the good old days on Line 23, Russian-born Impresario Sol Hurok, 70, returned to the scene of his first U.S. job (as a conductor on Philadelphia trolleys in 1906), picked up a whereas-laden scroll from the city council, honoring him for his contributions to Philadelphia culture, put on a visored cap and an owlish mood to collect a symbolic token or two. Hurok sheepishly admitted that he was fired from the job "because the dispatcher soon found out that I was letting passengers off at the wrong corners...

Author: /time Magazine | Title: People, Jun. 16, 1958 | 6/16/1958 | See Source »

...talents also followed a pattern familiar to other young instrumentalists: one big prizewinning season followed by relative obscurity. Most musicians blame the concert-management system for this state of affairs far more than they do the public. Between them, Columbia Artists Management, the National Artists Corporation and Impresario Sol Hurok control 90% of the soloists and instrumental groups touring the country. To the beginning artist, the Big Three offer irresistible bait: a chance to tour the country for pay and to build a reputation. But the reputations are built in New York, and the pay, when fees and traveling expenses...

Author: /time Magazine | Title: Music: The All-American Virtuoso | 5/19/1958 | See Source »

...four deep behind the Metropolitan Opera's ropes, and even the ushers stared popeyed at the stage. Orchestra seats went on the black market for $80 a pair, but few could be had. Night after night, audiences (total: 79,000, who paid $365,000) rose in cheering ovations. Impresario Sol Hurok promptly scheduled four extra performances in Madison Square Garden in late June-and they are already sold...

Author: /time Magazine | Title: Music: O.K.! | 5/12/1958 | See Source »

From Europe and the U.S. the offers were pouring in: Dowager Queen Elisabeth of Belgium personally invited him to play at the Brussels World's Fair (he may do so, with the Philadelphia Orchestra); Impresario Sol Hurok, who once passed him up, tried unsuccessfully to get Cliburn under option; Ed Sullivan put in his bid for Cliburn's first Stateside TV appearance. Columbia Artists announced plans to bring over Moscow Conductor Kiril Kondrashin to accompany Cliburn on May 19 in a Carnegie Hall duplication of his prizewinning concert, with later performances in Philadelphia and Washington. Cliburn...

Author: /time Magazine | Title: Music: American Sputnik | 4/28/1958 | See Source »

...with the expensive balls). He also superintends his singers, who are an individualistic crew. Most independent of the lot: Tenor Armido Lembi, a 35-year-old worker in a chocolate factory, who draws bravos when he sings but refuses to show up more than once a week. Says exasperated Impresario Peironi: "God gave him a great gift, and he won't use it. I even offered him a job as bartender, just so he'd be in the place. He said, 'Mario, there is wickedness in your eye. If I'm here, you'll make...

Author: /time Magazine | Title: Music: Opera in the Saloon | 2/17/1958 | See Source »

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