Word: impressionist
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Dates: during 1970-1979
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...Impressionist Ambience. The Whitney show will not add much to Hopper's established reputation. But it does reveal a good deal about Hopper's interests and development, his slow trial-and-error manner of working, his exacting standards for himself and his relationship with the world. The son of a frustrated scholar turned dry-goods merchant, Hopper was born in Nyack, N.Y., in 1882. He read prodigiously in his father's library: English, French and Russian novelists, philosophers from Montaigne to Emerson. He was a loner almost from the start, perhaps because by the age of twelve...
...former Premier of France. "My life has been nothing but a failure, and all that's left for me to do is to destroy my paintings before I disappear." Painters have often guessed wrong about their achievement; none guessed worse than Monet. He is, in fact, the only Impressionist other than Manet and Seurat whose work has consistently seemed relevant and useful to modern painters. One cannot imagine an artist "learning" from Renoir today. The difference is one of radical intent, of questions which Monet's work asked but did not always close, as most Renoirs are closed...
Tourist Object. This might seem harmless enough. But inflated prices feed a numbness back onto art itself. The Impressionist and old master market has been big news for so long now that nobody can look at a Monet without seeing in front of that exquisite paint a wall of dollar signs. The hedge against inflation inevitably becomes a hedge against perception. Its price has made the painting different, of an order other than art. Museums, which should resist this syndrome, tend to exploit it. Thus the Metropolitan got untold mileage out of the fact that it paid...
...into a vision and manner that had already set. This fact, crucial to an understanding of Gauguin's art, is elegantly documented in a selection of his pre-Tahiti paintings that opens this week at the Cincinnati Art Museum. The show runs from Gauguin's first semi-impressionist works of the early 1870s through a spectrum of influences to the full development of his style at Aries and Pont-Aven in the late 1880s. And it provides useful insights upon one of the more picturesque figures in early modernism, whose career demonstrated that unforgettable images could be drawn...
...Only eight of the 40 pictures were sold, but that was pure velvet to Artist Epfs. He is actually Lawrence Durrell, author of the Alexandria Quartet, and it seems that he has been painting since 1930 ("but never every day, only by attacks") in a style that ranges from Impressionist through surrealist to abstract. What made him decide to have the show? "You can give just so many away. Friends really don't want any more." How about that nom de pin-ceau? "I saw Epfs in a Danish magazine, and I noticed that it couldn...