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Word: impressionist (lookup in dictionary) (lookup stats)
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...wife wanted that the children should be proud of me, so I am content," said he last week. "My neighbors tell me the critics are troubled whether I be impressionist, modernist or classicist, but these things I do not understand...

Author: /time Magazine | Title: Art: Carnegie Show | 10/20/1930 | See Source »

...Murdock Pemberton, Kansas-born art critic of The New Yorker, woman's club lecturer, is even more definite, lists the four greatest living painters thus: Matisse, Picasso, Braque, Derain. All except Matisse, who as a judge cannot show, are exhibiting in Pittsburgh. *Paul Gauguin, morose Post-Impressionist painter of the 1890's, grew disgusted with modern civilization, sold all his European paintings for 9,860 francs ($1,972) deserted his wife and children and went to spend the rest of his life in Tahiti, the "Terrestrial Paradise.'' There, still subject to acute melancholia, he went completely...

Author: /time Magazine | Title: Art: Carnegie Show | 10/20/1930 | See Source »

...ribs in the clinches without getting past his countering elbows. Whenever Chocolate was free to box he scored points but Berg kept on top of him aggressively. Liking Chocolate for his buoyancy, his nerve, and the crafty speed of his wedge-shaped brown body, spare as an impressionist charcoal drawing, the crowd delighted in his onslaughts, scored six of the ten rounds to him, booed when the referee and judges called Berg the winner...

Author: /time Magazine | Title: Sport: Berg v. Chocolate | 8/18/1930 | See Source »

...landscapes of Camille Pissarro, French impressionist, scarcely paid for their own paint. When he died in 1903, he left a studio cluttered with his own work and that of his friends (Mary Cassatt, Monet, Manet, Seurat, Cezanne). Until last week these were kept as mementos by the Pissarro family. Then they sold them at auction in Paris. The total return was about...

Author: /time Magazine | Title: Art: Sales | 12/17/1928 | See Source »

...vibrant, airy landscapes of Claude Monet, worshipper of sunlight, rapt student of motes, beams, the subtle tones of shadows. More than any other man, Monet epitomizes the impressionist movement, the realization that perceptual reality is not composed of insulated objects each of characteristic colors, but is rather a play of shapes at once defined and related by the one blazing spectrum...

Author: /time Magazine | Title: Art: To the Louvre | 12/3/1928 | See Source »

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