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...trying like Gauguin or Van Gogh to push beyond it. They are represented too, to the confusion of the term: if post-impressionism means not only Van Gogh's Arlesian canvases, in all their lambent color and twisting, linear energies, but also the eclectic products of a tonal impressionist like Jules Bastien-Lepage, with his soulful peasant girls in burlap, what can it mean? To what imaginable modernist context do the many style rétro canvases in this show belong?Giovanni Boldini's portrait of Mme. Max, for instance, or Albert Maignan's Passage of Fortune, 1895, with its gauze...

Author: /time Magazine | Title: Art: Old Masters of the Modern | 1/14/1980 | See Source »

What was the anti-impressionist reaction of the 1880s all about? Partly, subject matter, the issue of what painting could express. Impressionism had been the art of the bourgeois paradise, naturalism unmodulated by idea. It had no content beyond the "view" ("Monet is only an eye," Cezanne said, "but good God, what an eye!"), no governing system of imagery, no symbols. To younger artists, it therefore seemed lax and unambitious. They wanted to return painting to a more demanding kind of diction ?exemplary and grand, like the art of the museums. All manner of stylistic sources fed into their...

Author: /time Magazine | Title: Art: Old Masters of the Modern | 1/14/1980 | See Source »

...five days of November, impressionist, modern and contemporary art sales at SPB netted nearly $21 million, close to the firm's entire 1967-68 turnover...

Author: /time Magazine | Title: Going... Going... Gone! | 12/31/1979 | See Source »

...landmark sale: the prices realized at the auction will serve as reference points for years to come. Thus in the hierarchy of cash a relatively obscure artist by world standards ranks, for now at least, above any Dutch old master, any English painter, any French impressionist, any American abstract expressionist, any sculptor...

Author: /time Magazine | Title: Going... Going... Gone! | 12/31/1979 | See Source »

...Georgia Harbison: "A good auctioneer is very much like a good lecturer. Everyone should understand what's going on and be sitting forward in his seat." He added: "Sometimes the atmosphere in the salesroom is absolutely crackling. The eyes of the whole world are on you at an impressionist sale. As much as $5 million may change hands in one evening. You just feel the weight of money in the room...

Author: /time Magazine | Title: Going... Going... Gone! | 12/31/1979 | See Source »

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