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...summer's finer print shows. "Contemporaries of Degas," being shown in conjunction with the Museum's highly publicized Degas exhibit, displays lithographs, etchings and a few oil paintings by artists who explored the same subject matter as Degas or who were greatly influenced by the "reluctant impressionist." Prints by Toulous-Lautrec, Signac, Vuillard and Daumier are organized around the themes of women, nightlife, the circus--subjects which have rarely if ever been treated with as much insight and relish as in the works of these artists. "Paris Observed" is a brief but memorable introduction to mid-18th-century Paris...

Author: NO WRITER ATTRIBUTED | Title: GALLERIES | 8/20/1974 | See Source »

...nowhere. As composer and keyboard man with Miles Davis from 1963 to 1968, Hancock long ago made his mark in the jazz community. When he stepped out on his own, it was to make a series of innovative LPs for Blue Note and Warner Bros, that combined an almost impressionist sense of harmony, fleet melodic lines and sprinting tempos...

Author: /time Magazine | Title: Music: Improvising on the Beat | 7/8/1974 | See Source »

Salter is proud of the most expensive painting she has in the gallery, a landscape for $2500. It is a large canvas in a pseudo-Impressionist blurred style. The colors are muddy and depressing. The paint is so needlessly crusted that it makes you want to pick...

Author: By Amy Sacks, | Title: There's No Business Like . . . | 5/22/1974 | See Source »

...Institute denounced Franz Schubert as well. Last week the dimensions of the target shrunk, as an article in Jenmin Jih Pao, the Communist Party newspaper, denounced the music of Ottorino Respighi. The work of this modern Italian composer is hardly a touchstone of Western music: he is a minor impressionist whose works are played more often than they deserve. Western critics might denounce him too, if anyone cared. The diatribe in Jenmin Jih Pao specifically cited Respighi's symphonic poem, Pines of Rome for stimulating "empty talk about changes in contrasts and emotions" which tries to "gloss over the class...

Author: By Richard Shepro, | Title: Beethoven: A Running Dog? | 2/21/1974 | See Source »

...status is a mildly bizarre cult of the price tag. Some of the best customers of art galleries on Madison Avenue and the Faubourg St. Honoré these days are dealers from Tokyo or Osaka, their pockets stuffed with yen, who are willing to pay astronomical sums for French impressionist paintings. Japanese buyers are equally conspicuous at the yearling auctions in Saratoga and Deauville, bidding handsomely for the best thoroughbreds. In fact, the Japanese seem to have supplanted the stereotype Texans as the world's most eager status seekers...

Author: /time Magazine | Title: JAPAN: The World's Most Expensive Cup of Coffee | 9/17/1973 | See Source »

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