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...AMERICAN IMPRESSIONISTS by Donelson F. Hoopes. 159 pages. Watson-Guptill. $25. The U.S. is currently revaluing upward much of its own past painting. In this book a young art historian discovers that Impressionism itself was not just a Parisian invention but was struggling to be born in America at the same time as in France. Hoopes tends to claim as an impressionist anybody-from Inness to Glackens-who did not paint in a strictly academic manner, but the book will introduce the fine but neglected works of such painters as John Henry Twachtman and Abbott Thayer...

Author: /time Magazine | Title: Books: The Costs and Colors of Christmas | 12/4/1972 | See Source »

This was perhaps inevitable. The Impressionist market has narrowed because so little is available. The boom years of postwar American abstraction (let alone Pop art and its variants) are over, except for a dozen...

Author: /time Magazine | Title: Arts: Up America | 11/20/1972 | See Source »

...Five years later Dr. Burton sent it to Sotheby Parke Bernet, where it was auctioned with the rest of his collection last month. It was knocked down for $250,000. Thus far the script looks banal-"Impressionism for Fun and Profit." But the painting was not by an Impressionist, nor even by a European. It was Steelworkers -Noontime, by Thomas Anshutz, and its price established an auction record for any picture by an American artist, living or dead. Eccentric as this one sale was, it reflects a massive price movement in Americana that has become the most interesting event...

Author: /time Magazine | Title: Arts: Up America | 11/20/1972 | See Source »

Judy Dater was another device to multiply her images: a mirror. In the same way that the Impressionist tradition would stand a girl at the her in front of a mirror, Dater articulates the elements of reflections by photographing a seated, nude girl leaning against a mirror. Whether prostitute or dance-hall girl, she appears in triplicate with her choler and black stockings. We see her, fine, bony features straight-on and in profile, her legs bent to the right and to the left--symmetrically reposed--and openly exposed in the upper righthand corner. An umbrella in the lower right...

Author: By Meredith A. Palmer, | Title: The Art of Baring Humanity | 11/20/1972 | See Source »

Summer Exhibits at the Fogg. Six special exhibits highlighting various Museum collections including modern art and sculpture. French Impressionist paintings, new acquisitions and loans, documentary photography and classical period pieces...

Author: NO WRITER ATTRIBUTED | Title: exhibits | 7/25/1972 | See Source »

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