Word: impressionist
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LOVIS CORINTH-Frumkin, 32 East 57th. Sixty self-portraits by the late-blooming German impressionist (1858-1925) offer an authentic study in character. Paintings, prints, drawings and watercolors, ranging from the belabored early works of the artist's 20s to the violent chiaroscuro, powerful brush stroke and emotional fervor of his later years. Through...
POINTILLIST PAINTINGS-Hirschl & Adler, 21 East 67th. More than 60 works by 19 exponents of the neo-impressionist technique that built up form through the juxtaposition of tiny stippled dots of brightly contrasting colors. Among the masters of the school: Georges Seurat, Paul Signac, Lucie Cousturier, Henri-Edmond Cross, Hippolyte Petitjean, Camille and Lucien Pissarro. Through...
...Like the impressionist artists of her age, Mrs. Gardner chose to convey the impression of overwhelming beauty rather than to display each treasure to its best advantage. The museum seems exhaustingly, if excitingly, full. A Dutch tile leans against the arches which surround a large Sargent painting. An 18th century Venetian settee obscures part of a 17th century embroidery panel. It almost seems that Mrs. Gardner wanted her visitors to find her treasures by chance if they find them...
...matter concentrated on them, their preening, their chance encounters, their intimate moments of tenderness, love and sadness (see color). He sculpted fleeting human gestures as they appeared through sunlight, shade, haze, even gaslight. And he thus became the first sculptor to travel into the transient world of the French impressionist painters-a little-acknowledged fact that is well substantiated in a show of 28 of his works, sponsored by the Italian Ministry of Foreign Affairs and the Institute Italiano di Cultura in New York, which opened last week at Manhattan's Museum of Modern...
...minority but, as always, their activities bring more notoriety than their numbers seem to merit. The cumbersome legal process necessary to enter the University has prevented the police from obtaining much incriminating material in their periodic searches. There is good evidence, though, that the Louvre's impressionist paintings, kidnapped while being displayed in Caracas' Museum of Fine Arts, travelled directly to the men's dormitory in the University City. Further, it is believed that the hijacking of a plush Venezuelan oceanliner earlier this year was plotted at the Central University. Terrorists have been traced to the Ciudad Universitaria time...