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...Wolf Kahn, 30, who first studied with Manhattan's leading abstractionist mentor, Hans Hofmann, then on his own switched to realistic pastels, now paints in a lyric, impressionist style that earns him a place among the Museum of Modern Art's new acquisitions. For his Late Afternoon (opposite), painted last summer in Provincetown, Mass., Kahn derived his inspiration from both the setting and his pretty model, Fellow Artist Emily Mason. He says of the completed work: "I tried to express tranquillity and contentment with overall lightness of tones, general vertical composition and subdued, dancing brush strokes...

Author: /time Magazine | Title: Art: The Younger Generation | 3/11/1957 | See Source »

...biggest art deals of its kind in the past quarter-century, the Edward G. and Gladys Lloyd Robinson Collection, one of the finest private ingatherings in America, was sold this week for $3,250,000. Made up mostly of French impressionist and post-impressionist paintings, the collection was doomed when the Robinsons were divorced last August and the California courts directed that their communal property be equally divided. But Movie Tough-Guy Robinson, unable to part with all his pictures ("I would like to keep them all"), held on to 14 of them. The balance of the collection-58 paintings...

Author: /time Magazine | Title: Art: Death of a Collection | 3/4/1957 | See Source »

Picasso for $40. The Communist collection of modern masterworks, all bought before World War I, is the result of simon-pure capitalist acquisitiveness. At the turn of the century, fabulously rich Russian merchants, financiers and landowners took the train for Paris, returned with packing cases loaded not only with impressionist masters but a cross section of the most revolutionary modern art of their...

Author: /time Magazine | Title: Art: THE HERMITAGE TREASURES: II | 2/11/1957 | See Source »

TWICE during his long (86 years) lifetime, Pioneer Impressionist Claude Monet had to face the jeers and catcalls of critics. The first time was when his painting, Impression: Sunrise, appeared at the first impressionist showing in Paris in 1874, and was ridiculed as a formless monstrosity. But as the public slowly came to appreciate the impressionists' atmospheric, sun-drenched works. Monet grew rich, won enthusiastic plaudits from the critics as well as the public. His second rebuff came toward the end. when his studies of the water-lily pond, with its Japanese covered bridge, on his country estate...

Author: /time Magazine | Title: Art: REDISCOVERED MODERN | 1/28/1957 | See Source »

...greatest of the surrealists," is the title leading French Critic Claude Roger-Marx has bestowed posthumously on Odilon Redon, the strange, self-effacing painter of dreams and visions who so perplexed his 19th century impressionist colleagues. Although he was a contemporary of such greats as Manet, Monet, Renoir and Cézanne, Redon was out of step with his generation. He set out on his own path, investigated what lay in and behind the shadows that the sun-struck painters of his day chose to ignore...

Author: /time Magazine | Title: Art: Painter of Dreams | 12/31/1956 | See Source »

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