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Word: impressionistes (lookup in dictionary) (lookup stats)
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With fake Utrillos appearing on the market almost daily, the French impressionist's splenetic widow, Lucie Valore Utrillo, 63, happily incinerated 30 recently uncovered forgeries in the garden of her Montmartre home. While Lucie grandly called the ten-minute conflagration the salvation of her henpecked husband's reputation, a few witnesses cattily concluded that she was just trying to protect the market value of her collection (a recent Utrillo auction price: $52,000), insisted that the longtime alcoholic painter-in order to earn the purchase price of more liquor than his wife allowed him-had moonlighted a great...

Author: /time Magazine | Title: People: Jul. 7, 1961 | 7/7/1961 | See Source »

...Gaulle. Trailing behind her black bubbletop Citroen were her mother-in-law, Rose Kennedy, her sister, Princess Radziwill, Sister-in-Law Eunice Shriver, and a bevy of lesser ladies in waiting. At the Jeu de Paume Museum, French Minister for Culture André Malraux whisked her past the collection of impressionist paintings in a breakneck 45 minutes. "I have just seen the most beautiful paintings in the world," gasped Jackie as she returned to the rain-splashed street. (Her favorite: Olympia, a reclining nude by Manet...

Author: /time Magazine | Title: Nation: La Presidente | 6/9/1961 | See Source »

Were not the vespasiennes reproduced in "innumerable" impressionist masterpieces? "To say that they were very beautiful would be to lie. To say that they were very ugly would also be to lie. They simply were, and we asked no more of them." Warned Fayssat: "We are afflicted in 1961 with the same needs as the old guards of the empire, the musketeers of Louis XIII. the legionnaires of Caesar, and Cro-Magnon man." But the council heartlessly ruled that in the age of indoor plumbing, the vespasienne was outmoded. By 1963. the last one would be razed...

Author: /time Magazine | Title: France: Age | 3/24/1961 | See Source »

...intense young woman with fragile features and piercing green eyes, Berthe passed that lesson on to her good friend Impressionist Edouard Manet, who had never painted outside his studio. Manet in turn liberated her brush, taught her to use rapid, loose strokes rather than to aim for dead exactness. After Manet married, Berthe transferred her affections to his younger brother Eugene, who in time became her husband. Their house on the edge of the Bois de Boulogne became one of Paris' brightest salons. Impressionists Claude Monet and Edgar Degas were members of the circle, and so was a struggling...

Author: /time Magazine | Title: Art: The Feminine Impression | 11/21/1960 | See Source »

...attempt to dissect each ray, or aim at capturing the fleeting moment as Monet's do. Berthe painted a world of beaches, picnics, race tracks and canals, of elegant ladies starting off to the theater and of young girls preening before the mirror. She feared that the impressionist obsession with light might be carried too far at the expense of form and harmony. The men who ate at her table sometimes chided her for her lack of adventure, but her nephew by marriage. Poet Paul Valéry, understood her better...

Author: /time Magazine | Title: Art: The Feminine Impression | 11/21/1960 | See Source »

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