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...last of ... ," paints intensely beautiful scenes that could have been painted any time in the last 100 years but not by anyone else. They are timeless without that overly decorous and rather anonymous look of the Binets. "Bords de Seine pres de Rouen" is a painting with the classic Impressionist theme--the play of air, light and water--that is a gorgeous and glowing juxtaposition of summery pinks, oranges, turquoises and golds with a twilight wintry landscape of muted purples and greys. "Neige a Limesy" is the only one of Malet's works on exhibit here that doesn't include...

Author: By Diana R. Laing, | Title: After First Impressions... | 11/3/1977 | See Source »

...20th century gallery the people admired the immovable flecks of paint that still suggested the fleeting vision of a group of Post-Impressionist painters. They chatted idly. The afternoon was a skirmish of de-clawed cultural one-upmanship. There was a lot of talk about market prospects for the paintings and the scarcity of a certain artist's work because it is difficult to sound knowledgeable about the sensations impressionism evokes. It is perhaps the most ambiguously worded of artistic messages precisely because it imparts no message. There is a foreshadowing of the primitivism of later 20th century...

Author: By Diana R. Laing, | Title: After First Impressions... | 11/3/1977 | See Source »

Rolly-Michaux's Sunday afternoon preview, however, did not just afford a glimpse of viewers as preoccupied with each other's reactions to art as with the art itself. The paintings on exhibit include 10 works rarely seen in this country by the Post-Impressionist Georges Binet (1865-1949) and a rich collection of recent works by the 65-year-old Rouen artist, Albert Malet, who has been called "the last of the Impressionists." The paintings are very different in spirit but alike in quality; this is a small exhibition, but you will want to linger long...

Author: By Diana R. Laing, | Title: After First Impressions... | 11/3/1977 | See Source »

Charles de Gaulle wore them. So did Impressionist Claude Monet and myriad others. Their glasses, as thick as Coke-bottle bottoms, were and still generally are the unmistakable emblem of millions of people who have undergone surgery for removal of cataracts-clouded lenses of the eyes. Of the 400,000 patients who had such operations last year, the majority were 65 or older. Most now wear the distinctive-and somewhat unflattering-spectacles. But more than 50,000 of them have no need for special glasses; they have undergone a controversial new procedure-the implanting in the eye of a tiny...

Author: /time Magazine | Title: Medicine: Spectacle Within the Eye | 10/17/1977 | See Source »

Five of the six paintings were on loan from Harvard's Fogg Art Museum, including two works by the 19th century French impressionist Eugene Boudin and one by the 17th century Dutch painter Gerrit Berckheyde, valued at $100,000 each...

Author: By Erik J. Dahl and James L. Tyson, S | Title: FBI Recovers Bok's Stolen Paintings; Three Indicted in Last Year's Theft | 10/7/1977 | See Source »

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