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...MOUSY, stoop-shouldered little genius in steel-rimmed spectacles, Pierre Bonnard has sometimes appeared thin and small against the sunset immensity of his impressionist forerunners. But this week a sparkling retrospective exhibition at Washington's Phillips Gallery made plain that Bonnard did not follow the impressionists so much as fulfill them. Bonnard's art is impressionism freed from dazzle, pomp and optical theory for the service of feeling alone...

Author: /time Magazine | Title: Art: PAINTER OF THE RAINBOWS | 4/27/1959 | See Source »

Most conspicuous sign of the times last week was an auction at Manhattan's Parke-Bernet Galleries. In just one hour. 29 middling-good impressionist and post-impressionist pictures were sold for a whopping $1,528,500. The auction was so crowded that 5,000 people were turned away, and half of the 2.000 ticket holders were forced to watch the bidding on closed-circuit television. The lot had been collected in a hurry over the past few years by Hotelman Arnold Kirkeby (Hampshire House, Beverly Wilshire. Saranac Inn, El Panama). He was selling them off faster...

Author: /time Magazine | Title: Art: Under the Boom | 12/1/1958 | See Source »

...Potter Palmer, was among the first to bring impressionist painting to America (in the 1890s) on the advice of a social equal who happened to be a great painter besides: Mary Cassatt. The wife of a millionaire Chicago hotelman and financier, Mrs. Palmer ruled wherever she chose to go: Newport, Paris, Rome. Invited to a party for the Infanta Eulalia of Spain, she firmly declined: "I cannot meet this bibulous representative of a degenerate monarchy." James McNeill Whistler remembered Rome as "a bit of an old ruin alongside of a railway station where I saw Mrs. Potter Palmer...

Author: /time Magazine | Title: Art: The Big Collectors | 11/10/1958 | See Source »

Rolls-Royces and Bentleys jammed London's narrow St. George Street one night last week, unloaded enough celebrities to make a smash Covent Garden opening night. Their objective: Sotheby's, the staid auction house where seven impressionist paintings from the collection of the late banker Jakob Goldschmidt were going under the hammer...

Author: /time Magazine | Title: Art: Testing the Highs | 10/27/1958 | See Source »

...interesting to note that the number of outraged letters you are receiving on abstract impressionist art is increasing. Why can't the general public recognize that we are never again going back to painting like Rembrandt, Vermeer and Rubens-or even to Watteau, Poussin and Renoir? I commend you heartily on your display of contemporary art, but let's tell your readers the startling fact that it is here to stay...

Author: /time Magazine | Title: Letters, Sep. 15, 1958 | 9/15/1958 | See Source »

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