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Best of all, Durocher still had the double-play combination of Eddie Stanky and Shortstop Alvin Dark. Last season the Giants made 181 double plays, 13 short of the league record. Records don't impress Stanky: "What counts is if you can make the one that'll win." That was just the kind of talk that had optimistic Leo Durocher smiling happily to himself. "We've got good spirit," he beamed. "They think they can win. That's what counts...

Author: /time Magazine | Title: Sport: Lift for the Giants | 4/9/1951 | See Source »

...after four days of indoor practice, how does the squad impress him? "Fat," be said. "But not for long...

Author: By Richard B. Kline, | Title: THE SPORTING SCENE | 3/23/1951 | See Source »

Thirteen labor bosses, including C.I.O.'s Phil Murray, James Carey, Walter Reuther, A.F.L.'s William Green, George Meany and Dan Tracy, walked out of the mobilization program. They were admittedly acting mainly for dramatic effect. "In no other way," said labor, "can we effectively impress upon the American people the great wrongs being perpetrated." The only labor leader left in an advisory capacity: John L. Lewis, quietly smirking and, like Tar-Baby, saying nothin...

Author: /time Magazine | Title: MOBILIZATION: Second Ultimatum | 3/12/1951 | See Source »

...there is nothing earth-shaking about the Hanson family, there is nothing inconsequential either. The scripts, by Writer Frank Gabrielson, are often toughly realistic. Son Nels (Dick Van Patten), pushed too hard by family pride, is shown cheating in an exam for grades to impress his parents. Mama herself, expertly played by Actress Peggy Wood, is human enough to get in a temper just because she's having a bad day. Earnest, bumbling father Lars (Judson Laire), who often wears his head, as well as his heart, on his sleeve, can be as calamitously wrong in business as over...

Author: /time Magazine | Title: Radio: From the Old Country | 2/26/1951 | See Source »

...that socially adjusted lawbreakers respect this tradition, but one amateurish criminal upstart (Dirk Bogarde) loses his head and plugs the picture's most likable bobby (Jack Warner). The courage of the unarmed police closing in on the gun-toting killer invites both admiration and suspense. What should most impress U.S. fans, however, is the reaction of London gangland's staunch conservatives: well aware that shooting a bobby simply isn't done, they help the police to hunt down their...

Author: /time Magazine | Title: Cinema: Imports, Feb. 5, 1951 | 2/5/1951 | See Source »

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