Search Details

Word: improvisationism (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

The next three sides highlight individual performances. Gayle Moran's rendition of "Come Rain or Come Shine" falls flat--she should know enough to stay away from such a gutsy jazz singer's standard. Serenade features Joe Farrell's tenor sax, an undersung quantity if there ever was one. Stanley...

Author: By Paul Davison, | Title: Lost In Eternity | 1/15/1979 | See Source »

Corea segues into the opening chords of his "Spanish Fantasy" suite, easily the best ensemble piece on the album. The horns really cook, belying their earlier sterile proficiency. Clarke's electric bass works beautifully, and Corea is literally all over the place--playing synthesizer, playing piano, stamping his feet with...

Author: By Paul Davison, | Title: Lost In Eternity | 1/15/1979 | See Source »

Friedkin cited "The French Connection" car chase scene in which unplanned crashes were used in the final film. "Comedies need more precision," he said. "There's very little improvisation."

Author: By David B. Edelstein, | Title: Friedkin Talks on Brink's Film; Falk and DeLaurentiis Cancel | 12/6/1978 | See Source »

Q: How much improvisation is involved in your films?

Author: NO WRITER ATTRIBUTED | Title: Altman Speaks: | 10/12/1978 | See Source »

A: Quite a lot in the early stages. We use improvisation in rehearsal and up to the time we set the scene. Most people seem to think we turn on the cameras and let people do what they do. That's not really true: by the time we shoot scenes...

Author: NO WRITER ATTRIBUTED | Title: Altman Speaks: | 10/12/1978 | See Source »

Previous | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | Next