Word: improvization
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Dates: during 2000-2009
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Despite his persistent attention to disorder and chance—his stop at the Roxy last week featured more improv rhyming than album tracks—Eyedea has grown more concerned with controlling his chaos on record. In order to achieve the “epic” sound he and Abilities wanted on E and A (as opposed to the late-night pensiveness of past records), they emphasized crescendos and traded, so to speak, verbal length for sonic depth...
...Last spring, Josh Tyrangiel and I had lunch with Christopher Guest, Harry Shearer, Michael McKean and Eugene Levy, four creators of our favorite 60s-style folk-song improv documentary comedy ?A Mighty Wind.? I can say the interview, which TIME.com published in its extended form, is laugh-out-loud funny because I just reread it and laughed out loud quite often. Treat yourself and read it. No, let us treat you. The interview is on our website...
Despite the obvious demand for beatboxing and vocal harmony, some wonder how a nascent group could gain Sanders performance privileges in such a short amount of time, while student bands and established improv comedy troupes have never managed to take the Sanders spotlight by selling out other venues and convincing administrators to give them the space...
This fall the improv comedy troupe Immediate Gratification Players needed a room for an audition and couldn’t find one, according to Chopra...
...Chopra complains that Sanders should focus on undergraduate performance by bands and improv groups, not just a capella...