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...knew the freshman class at the time I was coming in??Kenny Smith, Tyler Kolarik—I knew they had a great class. I knew Dom Moore was a great player. I knew we had a great team coming in,” Welch said. “I expected to win four ECAC championships and go to the tournament every year because we won our league...I knew our class was a good class and that we could make our mark on the program...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: Welch Revitalizes Harvard Hockey | 3/25/2005 | See Source »

...fans, but I think we play well under pressure,” McKiernan said. “But we’ve got to get more of our own fans in??they brought more than...

Author: By Karan Lodha, CRIMSON STAFF WRITER | Title: Harvard Tops MIT for Eleventh Win | 3/17/2005 | See Source »

...driven alongside my share of New York cabbies and asphalt cowboys. Boston drivers are a different breed. Their driving wavers somewhere between oblivious and schizophrenic. They stop dutifully in the left lane at a stoplight because that’s the lane they were driving in??even though there’s nobody in the other lane. They fade between lanes with no semblance of purpose—or sometimes even intention. I’ve driven in front of buses at night that had no lights on. More than once, someone has tried to merge in from...

Author: By Susan E. Mcgregor, | Title: Massholes | 3/4/2005 | See Source »

Without a doubt, the Mars Volta is a self-consciously difficult band, one that has simultaneously increased the level of permutations in its sound along with the variety of its genre affiliations. The roots for the template Rodriguez and Bixler currently employ can be found on At The Drive In??s records—namely, Rodriguez’s off-the-hinges screeching and squalid guitar-wanking—without really hinting at the more drastic experimentations the two would soon dabble...

Author: By Amos Barshad, CONTRIBUTING WRITER | Title: New Music: Frances the Mute | 3/3/2005 | See Source »

...Drive In??s songs pack a wallop, hitting the ground running in excellent form. The missteps occur when the band attempts to stretch a really great three and a half minutes into a six minute mini-epic that lacks forward motion. Bixler and Rodriguez have forgone that problem, not resting on any patterns—other than some near-patience-breaking extended stretches of ambient noise—for too long. The ambience serves as a segue between the music as they sustain one continuous unit, five segments of which make up the track listing, some with their...

Author: By Amos Barshad, CONTRIBUTING WRITER | Title: New Music: Frances the Mute | 3/3/2005 | See Source »

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