Word: inaptness
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...that sense, the speech Wednesday was textbook Bush, contrasting optimistic promises of regional liberty with warnings of an ever-expanding threat should America lose in Iraq. But the comparison to Vietnam took many observers by surprise, seeming not only inapt but also unnecessarily risky. Why undermine the historical arguments about Iraq with the specter of the Vietnam quagmire, especially after the President had gone out of his way several months ago to reject critics' charges that Iraq was turning into just that...
...Long Night, with Anthony Quinn as a non-Hammer hero with amnesia, is a drab affair, and My Gun Is Quick buried its chance at B-minus competence with another unknown, inapt Hammer, Robert Bray. You might say that Spillane should always have played him, as he does in the 1963 The Girl Hunters. (Richard Wright, of Native Son fame, is the only other best-selling novelist I know who played his own major character in a movie. Anyone know others?) But that would be to overrate Spillane's hulking amateurism. He has fun in the movie, but maneuvers only...
...choose parts that suit or stretch his range. He is less worried about his payday or the films' potential grosses, although he can wince over those that failed. Of The Avengers, a high-profile flop, he rues "some spark not there" with co-star Uma Thurman and curses an inapt chapeau: "I looked crap in that bowler...
Longwave have every right to be jaded. Three years after joining the Strokes on tour just as Is This It? crested the hype curve, the New York five-piece is still dogged by the mixed side of that blessing, weathering inapt Casablancas comparisons at every turn (their dirty bangs and beat-up couture don’t help matters) as they play small clubs...
...motion and emotion in all his still lifes, glamour and elan in a weighty Sunday paper. Over his 80-year career, AL HIRSCHFELD'S witty hand made hardly an inapt stroke. At his death last week, five months short of his 100th birthday, this comic muralist left an inadvertent history of 20th century entertainment. For dozens of dailies and weeklies but mainly for the New York Times, Hirschfeld drew--and drew out the spirit of--virtually every celebrity from high art (Toscanini, Natalia Makarova) and popular art (Roberto Benigni, Natalie Wood). Through his pen, inanity became animate, and caricature...