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Take the Incas. Inca civilization, writes Peruvian novelist Mario Vargas Llosa, was a "pyramidal and theocratic society" of "totalitarian structure" in which "the individual had no importance and virtually no existence." Its foundation? "A state religion that took away the individual's free will and crowned the authority's decision...

Author: /time Magazine | Title: Essay: Hail Columbus, Dead White Male | 5/27/1991 | See Source »

Is it Eurocentric to believe the life of liberty is superior to the life of the beehive? That belief does not justify the cruelty of the conquest. But it does allow us to say that after 500 years the Columbian legacy has created a civilization that we ought not, in...

Author: /time Magazine | Title: Essay: Hail Columbus, Dead White Male | 5/27/1991 | See Source »

Pachter's acknowledgement of race politics in the theater--where we go to see not only drama, but a dramatic re-enactment of life--does not connote racism. And Pachter is not alone among reviewers in his concerns about the responsibilities and repercussions of cross-casting. Liza M. Velasquez asserts...

Author: By Kelly A.E. Mason, | Title: Repercussions in Cross-casting | 11/30/1990 | See Source »

Since the performance is based on an extremely patriarchal script by Peter Shaffer, casting decisions in the production are not surprising, just disappointing. The only female players to be found on the Mainstage are cast in the roles of sympathetic yet incomprehensible male Incas. It seems insensitive to make a...

Author: By Liza M. Velasquez, | Title: Royal Hunt Misses the Mark | 10/26/1990 | See Source »

The pair swaps stories about cultural conceptions of god and human love while Incas are being murdered by the thousands outside the mountain palace. It seems sadly appropriate that the Incas are this expendable--they are never fully developed as characters, devoid of language and hidden by literal and figurative...

Author: By Liza M. Velasquez, | Title: Royal Hunt Misses the Mark | 10/26/1990 | See Source »

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