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...Eighteen years later, Nair cast him in The Namesake, and he rendered a quietly commanding performance. Khan plays Ashoke Ganguli, an Indian immigrant to the U.S. struggling to connect with his Westernized son. Khan had never been to the U.S. before then, so to play Ashoke he called on an earlier trip to Canada, where he had noticed the many middle-aged immigrants working in shops. "Something stayed in my mind," he says. "A strange sadness set in them. A rhythm that middle-aged people have." Nair says he was true to the quietness of the character, but used...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

...Pakistani police captain in A Mighty Heart, the remote immigrant father in The Namesake. Danny Boyle, the British director of Slumdog Millionaire, believes that as other Western studios try to replicate the film's success with movies set in India, Khan will be even more in demand - quintessentially Indian, and yet something else besides. "He is a touchstone connecting two worlds," Boyle says. More than Shah Rukh or Aamir or Salman, it's Irrfan who is the Great Khan - India's finest actor, perhaps even Asia...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

...Khan talks easily about movies - he loves them with the ardor of a lifelong fan - and almost as freely about his struggle to become an actor. He grew up in Jaipur, a city of crumbling palaces in the north Indian desert, as the eldest son of a conservative, aristocratic Muslim family. The popular movies he watched in the 1960s, such as Mughal-E-Azam and Guide, were pure escape - gorgeous fantasies of epic love and tragedy. By the time he was a teenager in the 1970s, the socially conscious new wave of the 1960s - so-called parallel cinema - began...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

...Drama school was a new world, but not what he expected. "I thought somebody, somehow, would give me the secret to acting," he recalls. Indian theater then had nothing like the studios of method-acting guru Lee Strasberg or Stanislavski disciple Stella Adler to give actors tools and techniques. It had its roots in drawing-room melodramas and classical literature, including an ancient text, the Natyashastra, devoted to the theory of drama. "It even tells you where in the audience a critic should sit," Khan says. "But you cannot learn acting from that." So he immersed himself in the films...

Author: /time Magazine | Title: Keeping It Real | 2/15/2010 | See Source »

...some 78 million tons of bauxite from the Niyamgiri mountain. Its chief operating officer, Mukesh Kumar, insists that the mine will benefit the Dongria - the company will set aside 5% of the mine's pretax profits for a local development agency - and that it has followed all the relevant Indian laws. "Whatever we do, we do in a transparent manner," he says. Yet the Dongria have become a cause célèbre. Bianca Jagger and the British actress Joanna Lumley have taken up their fight. On Feb. 5, Vedanta's opponents got a boost when the Church...

Author: /time Magazine | Title: Echoes of Avatar: Is a Tribe in India the Real-Life Na'vi? | 2/13/2010 | See Source »

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