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Some of the most exciting novels about American industry have been written by those who liked it least. In the pages of Frank Norris, Theodore Dreiser or Upton Sinclair, industry is a jungle inferno of grab and stab. But behind the social bias is the magnetic pull of wheat, or rail roads, or oil, and what it means to work with and around the sources of American industrial power. Author Victor White has put some of this magnetism without the bias into Peter Domanig in America. Where he falls short of the earlier models is in making his hero...

Author: /time Magazine | Title: Books: Up from the Slag | 4/12/1954 | See Source »

...Origen seems to have thought so, and some of the early church writers agreed with him. But Christian theology crystallized around the opposite view: the Devil is everlastingly damned to an everlasting Hell, and Dante put it in a famous nutshell with the inscription over the gate to his Inferno-Abandon hope, all ye who enter here...

Author: /time Magazine | Title: Religion: Back to Origen | 1/4/1954 | See Source »

...then the camera work goes amiss when photographer Joseph Martin covers his lens with a black mist. He has presented at least half the film in almost complete darkness, and at times the scene could as well be a parody of Dante's Inferno. The music too does not seem to fit the action in some places, a little too blaring when Captain Phoebus captures Quasimodo, a little too violiny when Esmeralda prays to the Virgin Mary...

Author: By E. H. Harvey, | Title: The Hunchback of Notre Dame | 12/16/1953 | See Source »

...Christ." But Graz was disturbed. Wrote the Grazer Montag: "In a church this sort of thing has no place." Church officials decided to keep the window as it is. Said the parish prelate, Dr. Franz Fabian: "After all, Michelangelo painted a monsignor he didn't like* into an inferno scene...

Author: /time Magazine | Title: Art: Ignoblest Romans | 10/26/1953 | See Source »

...Inferno (20th Century-Fox). Robert Ryan, a young man about as rich as they come and as worthless as they go, is junketing in the great American Desert, along with his wife (Rhonda Fleming) and the man she secretly loves (William Lundigan). When Ryan falls from his horse and breaks a leg, the lovers ride off, leaving him to dry up and die in the staring sun. Ryan, whose spirit normally comes from a bottle, nevertheless finds the will to fight his way back to safety and salvation. The drama is high, but it would have been much heightened...

Author: /time Magazine | Title: Cinema: Down fhe Polaroid Trail | 9/14/1953 | See Source »

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