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...Hackman uses when he gets mad that I've heard so much.' So it didn't get the intended effect." In the end, though, Wilson acquits himself nicely, making good use of his ability to wink at the audience without appearing self-conscious. "You have got to be s_____ing me!" he hollers after an elaborate, aborted rescue attempt. It's a cry of agony, but with Wilson's expertly put-upon delivery, it's also funny. In that moment he admits the movie's implausibility and captures the heart of the audience. Forget the nose...
...have another guy. He managed to kill two of them with his pistol, but he's holed up in the north side with no ammo." As a hurried discussion of tactics began, Harley-Davidson went back to his radio. Then he cut in: "Shit. Let's stop f___ing around and get in there." Pointing to the sky, he added, "Tell those guys to stop scratching their balls...
...attic was not the only surprise instrument that Trapper pulled out during his Passim stint—warning the audience that he was “about to prove how much of a white-trash hick I am,” Trapper risked “be[ing] kicked out of the band” and backed the usually raucous “Minnesota” with a simple banjo. Trapper’s fast fingers and mastery of the instrument left the audience hoping for future banjo performances...
...Young and Dangerous 3, she gets hit by a car while rollerblading down a busy street. As four hip Hong Kong lads clamber out of the car to check if she's O.K., Mok adjusts herself, stands back up on the blades and calls them "a bunch of f____ing d___heads." They stare gormlessly at the Chinese beauty who stands before them delivering a beautifully intonated insult?in English. It's a scene that defines Mok, soign? with plenty of street. The girl plays both, with aplomb...
...ing right...