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Word: inge (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...story proceeds in flashback us ing Salieri as narrator. The device impedes the dynamics of the play and some times makes the Viennese court seem like a cynically corrupted version of Grover's Corners. Early on, when Salieri is 16, he kneels in prayer and makes a Faustian compact with God. He vows to excel in virtue, magnify his talents and live his life as a tribute to his creator if only God will grant him fame...

Author: /time Magazine | Title: Theater: Blood Feud | 12/29/1980 | See Source »

...smell of perfume when they are scratched, or assume the shapes of trains, or pop up with paper cutouts, can take the place of stories that children need to frame their perceptions of life. "It is vir tually impossible to earn a living at writ ing for children unless you're well estab lished," says Arnold Lobel, 47. "The only people who can still do it are us old guys...

Author: /time Magazine | Title: Books: A Lively, Profitable World of Kid Lit | 12/29/1980 | See Source »

...still f-ing peasants...

Author: /time Magazine | Title: Nation: Always a Pun up His Sleeve | 12/22/1980 | See Source »

...dozen soldiers and civilians he meets along the Via Dolorosa. Half of them are Americans, half Ambolanders; three are women. (All are played by Bob Gunton.) These "historical events" serve as avatars and parodies of the looking-glass warriors, and most of them are perversely delightful. Mme. Ing, the patrician Borgia who rules Amboland, ends every discussion with the despot's stern logic: "Mme. Ing has won that argument," she purrs. U.S. Army Lieutenant Thibodeaux brags that the service "taught me how to fight and how to swear"-and then demonstrates just how poorly he learned at least...

Author: /time Magazine | Title: Theater: Viet Nam Vaudeville | 12/22/1980 | See Source »

...David Brinkley's darkest fears: up to 6 1 % of the viewing audience. The following week Dallas was again the top-rated show. And the Great Revelation won the largest audience in the history of series television. In New York 65% of all sets turned on were turn ing on to Dallas, in Los Angeles 68% and Chicago a whopping 76%; Katzman pre dicts an 80 share nationwide. For him and Capice, this means vindication. For CBS, which pays Lorimar a reported $650,000 to air an episode and sold a commercial minute on last week's Dallas...

Author: /time Magazine | Title: Show Business: Now It Can Be Told: Shedunit | 12/1/1980 | See Source »

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