Word: ingemar
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Leave it to a man named Lasse to direct the most scrupulously endearing Dog movie of the '80s. Hallstrom's hero is twelve-year-old Ingemar (Anton Glanzelius), a dour, dimpled soul who could live by the maxim: Expect the worst and you'll never be disappointed. A tabloid junkie, Ingemar scans headlines for catastrophes that might put his own aggrieved existence into perspective. Reading them helps Ingemar shrug off his own doglike life: "It could have been worse." So his Mom is ailing, and his beloved pooch is sent on a terminal vacation, and the town's toughest athlete...
...year's most popular foreign- language film in the U.S. For all its hints of death and humiliation, the picture has a jaunty air -- a Truffaut paean to childhood, set to a silly, danceable beat. In this village everyone is ripe for fond laughter: the uncle whose rapport with Ingemar puts his wife at a distance; the old lodger whose only pleasure is reading lingerie ads; the tomboy who bandages her breasts to masquerade for a last summer as one of the boys. At the picture's heart is the irrepressible Glanzelius, an imp from a cathedral cornice. This ageless...
Slalom Specialist Tomba should dominate today. Sentimental favorite: Sweden's Ingemar Stenmark, the aging (nearly 32) double gold winner at Lake Placid. -- The grand battle of the Car mens. Thomas and Witt both skate a final program to the same opera's music -- the foray a d'or each must...
...with two gold medals and two silvers. He leads the current World Cup, and this Olympic year could establish him as the best all-event male Alpine skier since Jean-Claude Killy. Not the best male Alpine skier, without qualification, over this period; that would be Sweden's astonishing Ingemar Stenmark, still campaigning at 31, a self-invented slalom and giant slalom wizard who has won more World Cup races (85) than any other man. But Stenmark does not like downhills, and he won't run these down-in- flames plunges. He won golds in slalom and giant slalom...
WITH HIS psychological studies of unhappiness, Ingemar Bergman may have sunk Swedish filmmaking into the depths of depression. With My Life as a Dog and now The Mozart Brothers, Sweden surfaces again. Brothers is a flippant film about the links between music and Mozart, opera and eroticism. Unfortunately, it is also a hodgepodge of inexplicable touches...