Word: inger
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Dates: during 1980-1989
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...Inger D. Tudor rejected a sure thing for acting. She got into Harvard Law School this spring. She applied because she wants to be a lawyer--it's one of several career goals that she has, Tudor notes laughingly. Even before she was accepted to the Law School, however, Tudor believed that she wanted to take time off to teach or act. When the Harvard acceptance letter came, that was still her decision. "It's still very, very scary, but I have to do it; and I have...
CAST differs from other College theater groups not only because of its choice of works performed, but also because it allows members of the Cambridge community to participate, says former president Inger D. Tudor '87, producer of Master Harold. Although the focus is on the Black experience, participation in a CAST production is open to everyone...
...women in Norway's government are besieging traditional enclaves of male privilege. Minister of Church and Education Kirsti Kolle Grondahl recently said that she "would love to" appoint the first woman bishop in the state's Lutheran Church, whose male clerics, she says, still "persecute" their female colleagues. Inger Pedersen, chairwoman of parliament's Justice Committee, is drafting an amendment to the constitution, which now limits inheritance of the Norwegian throne to men, to include female royal heirs. The change would mean that Crown Prince Harald's daughter, Princess Martha Louise, who turned 15 last week, could eventually become...
Veritones Vice President Inger C. Dewey '89 stresses the importance of getting people with optimism, confidence, and performing ability, as well as musical talent. "We're a wholly new group; we need people who will break that barrier of nervousness and just go out there and give it their...
MARCIA GREEN, HEATHER JOHNSTON and INGER TUDOR (from left to right) perform in For Colored Girls..., a compelling and touching adaptation of Shange's intimate story of Black women surviving in the modern day. The drama-musical is the first production this year by Black C.A.S.T. and is a stong step forward for Bradford, who has shown great ability and creativity in all of his productions either at the Leverett House Old Library or the Loeb Mainstage. As with most musical productions at Harvard there are some weak voices and weak coreography, but the play comes out ahead...