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Word: ingly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...result: only ten pairs could be matched, and most of those were too fuzzy to be used in evidence if a mix-up case ever got to court. Dr. Shepard concludes in Pediatrics that footprint-ing of babies is worthless. To avoid confusion he suggests that hospitals stick to a name band put on the baby's wrist in the delivery room...

Author: /time Magazine | Title: Pediatrics: Fuzzy Footprints | 3/25/1966 | See Source »

...going on these days at his alma mater, the University of Louvain. In his day, the school's common language was Latin. Now the university is split into French-speaking and Flemish-speaking halves, and the division is so bitter that the two halves are not talk ing to each other...

Author: /time Magazine | Title: Education Abroad: They're Not Talking | 3/4/1966 | See Source »

DuBay insists that he is not challeng ing the right of bishops to rule, but merely seeking to restore a lost balance in the church between discipline and freedom. "The union is one way that the church can apply its social teachings to itself," he says. The proposal does point up the fact that the parish priest is underprivileged in rights and rewards...

Author: /time Magazine | Title: Roman Catholics: For a White-Collar Union | 3/4/1966 | See Source »

...midsummer eve in a Negro-ghetto backyard in Detroit, Diana Ross, then 14, Mary Wilson, 14, and Florence Ballard, 15, made their first profession al appearance. They sang Your Cheat ing Heart, and afterward they passed the hat. The take: "Darn near $3," says Diana's mother. Last week at Manhattan's Copacabana, home range of the big names (Sinatra, Dean Martin), where the big beat is seldom heard, the same rock-'n'-roll trio was doing turn-away business. Diana, Mary and Florence now call themselves the Supremes, and the take...

Author: /time Magazine | Title: Singers: The Girls from Motown | 3/4/1966 | See Source »

...Miller's orchestra, which is fine when it's blaring forth the overtures, sounds embarrasingly thin during quieter numbers like "How Are Things in Glocca Morra" and "Old Devil Moon." Wendy Philbrick's choreography--except for the genuinely funny beginning of Act II--seems humdrum, and fuller of to-ing and fro-ing than the quarters permit. And in a play about better race relations, it's unfortunate that a late line of dialogue, rather than the makeup, informs us that most of the chorus of sharecroppers is supposed to be Negro...

Author: By Martin S. Levine, | Title: Finian's Rainbow | 3/4/1966 | See Source »

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