Word: ingmar
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Dates: during 1960-1969
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...Ingmar Bergman awoke from a tortured sleep, seized a camera and began to film what he had just been dreaming. Reality is distorted and logic becomes madness in The Ritual, Bergman's most nightmarish fantasy since The Silence. In the claustrophobic office of some anonymous bureaucrat, three actors (Ingrid Thulin, Anders Ek and Gunnar Böornstrand) perform a bizarre masque, part psychodrama, part sexual charade. They are like the mummers from The Seventh Seal or the circus performers from The Naked Night imprisoned in an allegory of doom. Inevitably the object of the masque is death...
...front of the museum fly 14 flags representing the nationalities of the patrons who contributed funds to build it. Among them are Novelist Alberto Moravia, Philosopher Martin Heidegger and Composer Igor Stravinsky, Film Directors John Huston, Ingmar Bergman and Jean-Luc Godard, Diplomat George Kennan and Heart Surgeon Dr. Christiaan Barnard. For those who had thought of Manzù as a strictly religious artist, the museum's collection may be a minor revelation. It demonstrates Manzù's uniquely quattrocento humanistic outlook, a faith and joy in life that could comprehend both genuine piety and unabashed lustiness. Besides...
...sexual excesses of ancient Rome, but the knowing audience may be attracted more by the movie's unofficial title: "The New Fellini." Such Italian directors as Michelangelo Antonioni, Luchino Visconti and Vittorio De Sica are also, in effect, the titles of their films, as are Swedish Director Ingmar Bergman and celebrated French Film Makers François Truffaut and Alain Resnais (La Guerre Est Finie...
...River) and John Ford (Cheyenne Autumn) have been reappraised as the prime movers of the west ern. Alfred Hitchcock has been called an eminent psychologist for his shrewd manipulation of audiences as well as actors. Some of the praise seems fulsome: Jerry Lewis has been compared favorably with Ingmar Bergman and Orson Welles. Still, general acceptance of the auteur theory has given American directors new power with major studios and fresh rapport with audiences. Though no American film maker has yet achieved the stature of Italy's Visconti or Britain's David Lean, a handful seem...
...high cheekbones and fierce mustaches, all the tired, tragic faces are one. The viewer must be content (or disturbed) with a vision trained on people but not on persons. Though Jancso is sometimes eclectic, he borrows only from the best, from the wintry compositions of Ingmar Bergman or from Goya's acid Disasters of War. At his most original, the director resembles neither film maker nor painter. In his own deep-dimensioned, black and white montages, he seems a sculptor who scrapes his material from the soil of his native land and gives it a cast of permanence...