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Word: ingmar (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Directed and Written by INGMAR BERGMAN...

Author: /time Magazine | Title: Cinema: Over the Edge | 4/12/1976 | See Source »

When Sweden put draconian tax regulations into effect in January, an early victim was one of the welfare state's leading citizens: Director Ingmar Bergman. Two policemen abruptly called Bergman from a Stockholm stage, where he was rehearsing August Strindberg's The Dance of Death, and hauled him away for interrogation on suspicion of having evaded payment of $119,000 in taxes. Although all charges were dropped last week, Bergman remained holed up on his bleak island home at Fårŏ, sunk in what doctors described as "a deep depression as a result of shock...

Author: /time Magazine | Title: SWEDEN: The 101.2% Solution | 4/5/1976 | See Source »

...float all the garbage of American culture out to sea. Yale English Professor David Thorburn, who uses the show in one of his courses, has called the Hartman family "an American house of Atreus," although there has been no slaughter so far. Several enthusiasts have compared the show with Ingmar Bergman's film, Scenes from a Marriage-to Bergman's disparagement. Perhaps because he wears a warm-up jacket, Tom has been likened to John Updike's puzzled hero, Rabbit Angstrom. Commentators have noted, almost with reverence, that the characters are "human" and that Mary is "vulnerable...

Author: /time Magazine | Title: Show Business: Mary, Mary, Quite Contrary | 2/23/1976 | See Source »

...Your hiding place isn't watertight," observes a character in Ingmar Bergman's 1965 film Persona. "Life trickles in from the outside and you are forced to react." Last week the Swedish director found life flooding...

Author: /time Magazine | Title: People, Feb. 16, 1976 | 2/16/1976 | See Source »

...INGMAR BERGMAN HAS left the New Wave and its tormented pessimism far behind. His light-hearted, sunny, extraordinarily intelligent film version of Mozart's The Magic Flute proves that the judicious egotism of one master can actually enhance the genius of another. Bergman has gotten both practical and romantic all of a sudden; having perceived all the traditional problems of staged opera, he has pretty much solved them all, making room for his own rose-tinted theatrics. To make the story move more smoothly he shuffled several scenes out of their original order, omitted a few, altered the plot...

Author: By Kathy Holub, | Title: The Magic of Two Masters | 1/16/1976 | See Source »

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