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Based on the Ingmar Bergman comedy, Smiles of a Summer Night, A Little Night Music leaves the audience perplexed. The young, the fools and the old all manage to pair up (more or less) successfully before the curtain falls, but one can hardly leave Gfaller's production with the feeling of having seen a romantic comedy. The resolution comes unexpectedly, and most of the characters remain wistful even in the arms of their lovers. This drama remains under the spell of Leonora's cynicism and the chorus's surrealism, just as the characters remain in the perpetual twilight...

Author: By Stephen G. Henry, CONTRIBUTING WRITER | Title: Perplexing Play on Bergman; Perpetual Twilignt of a Swedish Summer | 11/13/1998 | See Source »

Groups leaders also look forward to more movie nights, with films from such directors as the Swede Ingmar Bergman and Jorn Donner, a Finn...

Author: By Elizabeth A. Gudrais, CONTRIBUTING WRITER | Title: Students Found New Group Devoted to Scandinavian Culture, History | 10/26/1998 | See Source »

...best. For example, I'm in that slice of my generation that thinks the Stones were better than the Beatles, but I had to admit the Beatles had more influence. In the end a lot of people who may have been the best in their field (film director Ingmar Bergman, for example) did not make the list because their greatness surpassed their enduring influence...

Author: /time Magazine | Title: Our Second 20: This installment of the TIME 100 was harder | 6/8/1998 | See Source »

Craven began his career by imitating better directors (Ingmar Bergman's The Virgin Spring was the source for his 1972 debut, Last House on the Left) and kept at it until he was mature enough to imitate himself. Scream, which has won some unaccountably indulgent reviews, is like his self-reverential Wes Craven's New Nightmare (1994): an idiot-savant movie, knowing but not smart. For viewers who are not scholars of the slasher genre, the latest Craven will seem one more exercise in voyeuristic sadism, an excuse for the torturing of teens in tight sweaters. And that's exactly...

Author: /time Magazine | Title: A RICH FILM FEAST | 12/30/1996 | See Source »

...beneath the human limit" of musical competence, so Allen hired a nonprofessional to dub her voice. But the rest of the cast was both untutored and game, and the result is one of the nerviest experiments yet for a filmmaker who has already tried everything from surrealist fantasy to Ingmar Bergman homage...

Author: /time Magazine | Title: CINEMA: ALL SINGING, ALL WOODY | 12/9/1996 | See Source »

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