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...last Monday, Michelangelo Antonioni, the Italian film director who diagnosed and dramatized postwar alienation, died Monday, the same day as the great Swedish filmmaker Ingmar Bergman. In less than 24 hours, the emperors of angst were gone. Bergman, 89, and Antonioni, 94, were two of the three surviving auteurs who defined serious European movies in the 60s - when serious movies pretty much were European. Of the decade's transcendent film figures, only that perpetual iconoclast Jean-luc Godard, 76, is left standing. If I were he, I'd insist on round-the-clock medical attention...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...masterly Swedish auteur Ingmar Bergman, who found both humor and despair in the human psyche, redefined cinema worldwide. He was 89. (See Arts for an Appreciation of Bergman by Woody Allen...

Author: /time Magazine | Title: Milestones Aug. 13, 2007 | 8/2/2007 | See Source »

...created indelible allegories of postwar man adrift without God. He was the movies' great dramatist of strong, tortured women and the finest director of actresses. More than any other filmmaker, he raised the status of movies to an art form equal to novels and plays. Yet when Ingmar Bergman died at 89, the popular description of him was, Woody Allen's favorite director...

Author: /time Magazine | Title: Woman, Man, Death, God | 8/2/2007 | See Source »

...both know he's great. But to many young people--I mean bright, film-savvy kids--he's Ingmar who? What relevance do his films have today...

Author: /time Magazine | Title: Woman, Man, Death, God | 8/2/2007 | See Source »

...knew he was Ingmar Bergman, but maybe he didn't. He didn't get to view his reputation from the outside...

Author: /time Magazine | Title: Woman, Man, Death, God | 8/2/2007 | See Source »

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