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Word: ingmar (lookup in dictionary) (lookup stats)
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...structure of 20th century religious thought, the works of Ingmar Bergman perch like gargoyles. Their gnostic faith belongs to no known dogma; their acrid doubt is too large to sit in the cool shade of existentialism. The Shame, latest of his grotesqueries, once again prays to a dead God, once again mixes actuality and surrealism, calamity and humor, a fertile mind and an arid soul...

Author: /time Magazine | Title: Cinema: Heroic Despair | 1/10/1969 | See Source »

...Charles Cinema is The Dove, a short, funny, successful American parody of Ingmar Bergman. It does what no genuine Bergman film has been able to do: bring us closer to Bergman. That's because it plays up all his most endearing traits (low-key lighting, throaty language, immense closeups, symbolism played to the hilt) without his most threatening: his faith...

Author: By David W. Boorstin, | Title: 'The Dove' and the Swede | 12/13/1968 | See Source »

...ironic (if unsurprising) that Ingmar Bergman, amidst his low-key lighting and contrasty soundtracks, huge closeups and merciless symbolism, should fall prey to his own musing. Bergman's intellect and intuition never quite fuse: they live separately in Bergman the scriptwriter and Bergman the film director. Film is the most direct medium, but Bergman sees his ideas as literary...

Author: By David W. Boorstin, | Title: 'The Dove' and the Swede | 12/13/1968 | See Source »

...Persona--Ingmar Bergman's horror film about split identity. Through Saturday at the BRATTLE...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/6/1968 | See Source »

HOUR OF THE WOLF. Sweden's Ingmar Bergman relates another of his parables of the dark night of the soul in this eerily symbolic tale of the deepening madness of a reclusive artist...

Author: /time Magazine | Title: Time Listings: May 24, 1968 | 5/24/1968 | See Source »

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