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...teacher trying to put a dispassionate face on a passionate nature. And Dennis Hopper brings some fresh, forceful observation and a jittery melancholy to his characterization of a onetime star athlete who has become the town drunk. There is a quirky authenticity about these figures, and the landscape they inhabit, that one does not expect to find in movies whose chief business is to warm the heart, not to inform it. Hoosiers may not transcend the banality of its story line, but it does take its shot. And comes close to making the movie equivalent of a three-point play...

Author: /time Magazine | Title: Cinema: Knight-Errant Hoosiers | 2/9/1987 | See Source »

...McGuire, claims he "always thought the play could have been about truck drivers. You would still have the natural leader, the clown, the one who is quietly loyal, the one who knows that the best of himself will never be expressed." Truck drivers would not talk so gracefully or inhabit a world in which verbal violence is commonplace and bursts of physical violence so shocking. But in its evocation of the judgmental and forgiving ways of friendship -- of how a long acquaintance enables people to divine and condone each other's darkest secrets -- The Common Pursuit does indeed portray what...

Author: /time Magazine | Title: Theater: Clinging to the Ideals of Youth the Common Pursuit by Simon Gray | 11/3/1986 | See Source »

...Honduran tropics. O-Zone, Theroux's first venture into science fiction, is also a survival story. His 21st century America is a nation that has lived fast, aged young and offers life-support systems only to those who can afford them. That would be the Owners, an elite who inhabit high-rise fortresses in Manhattan. The armed towers keep out the "aliens," variously known as Starkies, Skells, Trolls and Roaches. They are part of a vast underclass, disinherited by global economic collapse and lingering radioactive wastes. The O-Zone itself is the result of a nuclear-dump accident...

Author: /time Magazine | Title: Books: Walking on the Wild Side O-Zone | 9/1/1986 | See Source »

Director Cronenberg (The Brood, The Dead Zone) tells this story with no compromise but plenty of intelligent compassion. In the film's first half, the edgy romantic comedy is beguiling, especially as played by Goldblum and Davis, two deft charmers who inhabit their roles as if they have comfortably lived there forever. The Faustian tragedy of the second half is underscored by some revolting and riveting special effects. Watch closely for Brundlefly's agile wall climbing. Close your eyes during the hallucinatory sequence in which Cronenberg, as an obstetrician, helps Veronica give birth to a 20-in.-long bouncing baby...

Author: /time Magazine | Title: Cinema: Love in the Animal Kingdom the Fly | 8/18/1986 | See Source »

...from the grip of death, cleansed, made new. A "movement" without politics or program, we were defined largely by our shared lives on the campus--millions of us getting stoned and listening to the Beatles--and by our opposition to the war. Now that war is over, and we inhabit private worlds...

Author: /time Magazine | Title: Strawberry Restatement | 5/19/1986 | See Source »

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