Word: inhabitability
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Accountability to the future requires that we leap geographic as well as intellectual boundaries. Just as we live in a time of narrowing distances between fields and disciplines, so we inhabit an increasingly transnational world in which knowledge itself is the most powerful connector. Our lives here in Cambridge and Boston cannot be separated from the future of the rest of the earth: we share the same changing climate; we contract and spread the same diseases; we participate in the same economy. We must recognize our accountability to the wider world, for, as John Winthrop warned...
...Just as we live in a time of narrowing distances between fields and disciplines, so we inhabit an increasingly transnational world in which knowledge itself is the most powerful connector," Faust said...
...choices, and that's a subject Affleck is something of an expert in. "I always believed it's what you don't choose that makes you who you are," says Kenzie in another line not in the novel. He's talking about the mean streets the movie's characters inhabit, but Affleck acknowledges it has a more personal mean ing. "I think that's true for me like it is for anybody," he says. "To me the movie's about realizing that becoming an adult is about understanding there's no certainty. I used to think, Maybe there's some...
...ownership. The myth-shrouded castle is also known as Dracula's Castle: according to legend, Vlad "The Impaler" Draculae, a local ruler known for his cruel torture methods (the story goes he liked to have his dinner while watching his opponents painfully die on a stake) used to inhabit Bran Castle. This, however, is merely a myth, which has its roots in the famous novel by Bram Stoker, and no one knows for sure whether the local ruler ever actually set foot in the castle. Still, on the rumor, 450,000 tourists visit it each year. Now it has become...
...twist, a pointed challenge to our political or philosophical beliefs, or an ineffable moment of transcendence. In “The Yiddish Policemen’s Union,” Chabon fulfills that essay’s promise, and entertains wildly. Set in a fictional universe in which Jews inhabit not the Middle East but Alaska, Chabon’s novel tells the hardboiled tale of Meyer Landsman as he attempts to solve a strange and seemingly inconsequential murder while dealing with the burdens of his depression and alcoholism, his disintegrated marriage, and the coming reversion of his Jewish homeland...