Word: inhabitant
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Dates: during 1980-1989
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...stage like a wild Western river, thoughts as big as the countryside: "You look like forty miles of rough road," says Weston to his son. The frontier reduces life to its primal elements, revealing raw humanity, a force as powerful and perverse as the worthless farm the characters inhabit...
Jazz Lives, by Michael Ullman '67, documents the survival techniques of 23 very different individuals who have chosen to inhabit this world which offers neither the money that rock performers earn nor the status that classical musicians enjoy. The format is a familiar one--as series of profiles and interviews. What sets Ullman's book apart from dozens of other jazz books is his perceptive choice of subjects. Sam Rivers, Doc Cheatham, and Ran Blake have been professional musicians for decades, but as far as most people are concerned, they may as well have performed in secret. Most...
...enters a milieu, that of working-class life, that the movies often bypass. Thomas Hacklin lives in Buffalo and works for a tire factory. His car is dilapidated, and the house his wife and kids inhabit (he is divorced) is, at best, humble. Life for him is a few beers with the boys after work, a Saturday-night dance at the union hall and a little amateur baseball on Sunday afternoon. As director, Caan reveals the character with a sympathy that never patronizes. As an actor, he shows him as a good-natured fellow sustained by simple loyalties. Hacklin...
...writes, "humbled by my illiterate companions, who possessed in so much greater measure generosity, courage, endurance, patience, good temper and light-hearted gallantry. Among no other people have I felt the same sense of personal inferiority." He also shared the soggy life of the Madan, Shia Muslims who inhabit the reedy swamps of southeastern Iraq. His two books about these experiences have become contemporary classics: Arabian Sands (1959) and The Marsh Arabs...
...ACTORS INHABIT Innaurato's universe with relish and sensitivity, turning in uniformly splendid, often unforgettable performances. Jeff Gerrard gives a delightfully detailed performance as Francis, from his nasal prissiness and grandmotherly peevishness to his awkward, chunky waddle. As his father, John Lagioia affects the stance of a fifth-grade toughie, his bluster sometimes dissolving into a haggard awareness. As Bunny, Laurel Cronin's intelligence, feeling--those drunken arias!--comic timing, and, finally, beauty are every bit as elephantine as her frame. There is fine support from Kaye Kingston's ghoulishly tacky Lucille and Ann Kerry's fetching Judith...