Word: inhabitations
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...fashionable Brattle Steet area where Cambridge's middle class white-liberals pay an average of nearly $50,000 for their homes. To complete the potpourri, the neighborhoods of North Cambridge contain a blend of blacks, elderly people, working class families, students grouped in apartments, and Cambridge's wealthy who inhabit the shady leaves west of Kirkland...
Clearly, in the complex industrial world we inhabit everything is, in one way or another, related to everything else. But all that this amounts to is the truism that there can be no absolutes in our moral judgment. Nothing is purely right or purely wrong; similarly, no one is entirely responsible or is entirely without blame for the many evils that beset us. Our values and our judgments are not only relative, but can only be practically employed in terms of degrees of intensity. In making practical ethical judgments two things are uppermost in our minds: the degree of voluntariness...
...smaller roles than in English, Russian or French fiction. In Love and Death in the American Novel, Critic Leslie Fiedler argues that U.S. writers are fascinated by the almost mythological figures of the Fair Maiden and the Dark Lady, but "such complex full-blooded passionate females as those who inhabit French fiction from La Princesse de Clèves through the novels of Flaubert and beyond are almost unknown in the works of our novelists." There are memorable figures, of course: Hawthorne's Hester Prynne, John O'Hara's Grace Caldwell Tate and Gloria Wandrous, Fitzgerald...
...play begins conventionally enough. A father, his two grown sons, and his brother inhabit a run-down house in London, and seem to be having their share of family squabbles. Enter: The long-absent eldest son, Teddy, now a Doctor of Philosophy in America, and his wife Ruth, Soon Ruth and the two sons, Lenny and Joey, engage in some suggestive conversation culminating in a sensual dance between Ruth and Joey. Then Lenny, matter-of-factly, proposes that Ruth remain in England as the sexual companion of the family, and that she also earn a little money on the side...
...later work, and all his efforts are posited on the belief that somehow it can be given life -if not by talent, then by sheer will. De Chirico's self-magniloquent portraits in armor and 17th century lace are not simply costume pieces, but efforts to inhabit the dream and be a one-man Renaissance. His interminable pairs of Bambi-eyed horses prancing on a marble-littered beach have the same intention. The sum effect is, inevitably, absurd: for De Chirico has no more talent for illusionism than the average calendar artist. It becomes parody-and when De Chirico...